Welcome to this Week’s Installment of Short Horror Film Friday Featuring DON’T LOOK AWAY Directed,Written, and Edited by Christopher Cox. DON’T LOOK AWAY was Finalist in Annual Cinema Los Angeles Film Festival 2018 -Preselected for Washington Film Festival 2018 -Official Selection in DAMN! Film Series Festival 2017.
Synopsis: When a Teenage Girl spots a Sinister Figure Standing in Her Backyard Staring at Her Father in a Panic. She informs Her Father about a Ominous Figure Staring at Her, and Her Father Pleads Desperately with Her to No Matter what “DON’T LOOK AWAY”!!!
I think its safe to say we have all had day’s where it seemed the universe has dropped its pants, and is taking a colossal cosmic crap on your entire fucking life. Those are those days you spend going hour after fucking hour wondering “Why Me?” or “What the fuck did I do to deserve this bullshit?” as the universe plays a fucked up game of cat and mouse with your current reality. It can get so fucking intense that you may actually consider that you have somehow offended the Powers That Be (God, universe, fate and so on) and now are being punished in some bizarre manner.
This bring me to today’s post the official music video for ‘The Existential Threat’ by Sparks (also known as Halfnelson), taken from their 2020 album ‘A Steady Drip, Drip, Drip’. Sparks is an American pop and rock duo formed in 1967 consisting of brothers Ron Mael on Keyboards and Russell Mael on vocals. Sparks are known for their quirky approach to songwriting which is often accompanied by sophisticated and acerbic lyrics often about women or Shakespearean literature references, and an idiosyncratic, theatrical stage presence, typified in the contrast between Russell’s animated, hyperactive frontman antics and Ron’s deadpan scowling. The band is also noted for Russell Mael’s distinctive wide ranging voice and Ron Mael’s intricate and rhythmic keyboard playing style. Sparks have been far more successful in Europe compared to their native United States, though the band maintains a loyal cult following American non the less.
The video for the song was done by none other than one of our favorite animators cyriak. Cyriak Harris, known Mononymously as Cyriak and His B3ta Username Mutated Monty (Harris has been a Regular Contributor to the British Website B3ta since 2004), is a British Freelance Animator and Composer. He is known for His Surreal, Creepy, and Bizarre Short Web Animations with the Frequent Use of the Droste Effect, and Features Original Dance/Electronic Music By Harris as Well.
Welcome to the Latest Installment of For Shits and Giggles featuring Breakfast by One of Our Favorite Animators cyriak.
Breakfast is an Old Piece of Footage (Film) from a PSA on Traffic Safety that Evolved into a Music Video by cyriak. Cyriak is a Freelance Animator based somewhere in the UK. The software He uses is Photoshop and After Effects for Animation and Fruity Loops for Music.
Side Note: If Anyone is Curious about the Guy in the Video, His name is Richard Massingham and He made loads of these Weird Public Information Films back in the 1940s. You can Search His name if You want to find them.
Many years ago a buddy of mine showed me an episode of the TV show TOSH.0 he had recorded previously. The main feature of the show was a viral video starting the band G.O.A.T. and YOUR M.O.M. playing their now infamously famous song “Quack Like A Duck” at someone’s lame ass backyard party (or whatever kind of get together it was it’s kind of unclear). The video had everyone on the internet wondering who the hell was the older frontman who wears only a cape, cowboy hat, and a thong (which are all American flag themed) when preforming.
The answer to the question of who was this band is it’s lead singer and frontman are G.O.A.T. and YOUR M.O.M. an acronym that stands for GOD OF ALL TEXAS AND YOUR MASTERS OG MENACE (the origins of the name are unknown, but most people presume its linked to the location of the band. The band is a Novelty Alternative Rock band formed back in 2007 and are based out of Austin, Texas. Now this band would make a shit ton more sense if you changed the context from grown adults to the more appropriate high school freshman garage band. I say this because the band’s lyrics are inappropriate with sexually charged lyrics, and the music is pretty fucking basic (there’s NO Grammies in these guys future). Thats why my first impression was “Who the fuck are these lame ass adults acting like they’re hormone ravaged high school teenagers?”, and immediately dismissed the band as nothing more than a pathetic joke (just like another band THE MENTORS). I addition to the immature lyrics and basic musical talent GOAT is know for his brand of sexual dancing involving the shaking of GOATS junk. I saw one video where he played a tambourine by hitting it with his thong covered package.
Then recently something someone said reminded me that G.O.A.T. and YOUR M.O.M. actually existed since I had completely put them out of my mind until then. My initial opinion had remained unchanged regardless of my shitty memory, BUT this time around I slowly found myself abandoning my disgust in favor of laughter. The more I laughed the more the band grew on me like a fucking rash as I started to view them more as an odd ball joke instead of a bunch of untalented adults still dreaming of being rock starts. Before soon I was in what I refer to as “rubber necking” territory since you don’t wanna look at the car crash that’s causing the traffic jam you’re stuck in. You tell yourself you won’t look because it’s a morbid curiosity, and if it was you involved in the accident you wouldn’t want people driving by staring. Accept we all know in spite of your telling your self not to look and running through the reasons not to look INEVITABLY when you get to the head of the traffic jam YOU DAMN WELL DO LOOK. This is how I now feel about G.O.A.T. and YOUR M.O.M. like a horrible car crash that you cannot help looking at even if you believe you don’t want to.
The band consists of an average of 3 Members being Micheal Anthony Gerard (aka GOAT) on vocals/bass, Bubba Spunk on drums, Toni Gnosis on guitar, and part time member Eric Houser on bass when GOAT is more preoccupied with singing. The band are available for hire, and have played at weddings and other associated venues. They also have a single a 12 song live album titled “Dvck Hvnt” (and if you know the band that doesn’t stand for “duck hunt”, but more likely its an alternate spelling of “Dick hunt”).
Video playlist:
G.O.A.T. and Your M.O.M. “Quack Like a Duck” (Live)
Quack Like A Duck: Explained by GOAT Himself
Quack Like A Duck: Explained by GOAT Himself: Part 2 (butt of corpse)
G.O.A.T. and YOUR M.O.M. – 1st Date (2016)(Live)
G.O.A.T. and YOUR M.O.M. – DP
G.O.A.T. and YOUR M.O.M. – Hotter Than Hell (Live)
G.O.A.T. and YOUR M.O.M. – Thot U Were My Friend (Live 4/14/2016)
G.O.A.T. and Your M.O.M. – Butternut Squash
PLEASE WELCOME TO THE STAGE G.O.A.T AND YOUR M.O.M!!!
HEY LOOK IT’S SOME BONUS SHIT!!!
“QUACK LIKE A DUCK” LYRICS:
[Chorus]
Can you quack
Can you quack like a duck when you suck
Can you buck like a horse when we fuck
Can you take every inch up your butt
Can you shit on my chest for good luck
Can you quack
Can you quack like a duck when you suck
Can you fart on my balls when we fuck
Can you stick your whole tongue up my butt
Can you shit on my chest for good luck
Can you quack
Can you quack like a duck when you suck
[VERSE]
Give it a suck
Give it a fuck
But you ain’t cute enough to where I want to
knock you up
And if you swallow it whole can you take it up
the butt
Now I might keep you around long enough to
bust a nut
Well I want to knock you down
Cause I want to knock you up
All I really want to do is fuck you in the butt
Then you turn around and then you suck it up
While your girlfriend’s behind me with her
tongue right up my butt
[Chorus Repeat]
[Verse Repeat]
NOTE TO READER: GOAT is a life long heavy metal fan so it’s worth pointing out there 2 heavy metal references in Butternut Squash. The first is the phrase used throughout the song “Caught in a mosh” which just so happens to be a song by the heavy metal legends Anthrax. The second is “cherry pie” which was a song by the lame hair metal band Warrant. In addition to these two specific references you can see in the Video’s DP and Butternut Squash that whatever room the band is playing in has several Heavy Metal flags/posters for other Metal Legends such as Metallica and Iron Maiden.)
I’m a massive fan of the early Ozzy led Black Sabbath, but when I heard the Heavy/ Doom Metal band Pentagram I was awe struck. In my honest and vastly unpopular opinion that Pentagram exceeds Black Sabbath not in lyrical content but in Advanced Musical Techniques/Style of the Doom Metal. Pentagram’s music was more evolved than Black Sabbath even if both bands got their start around the same time. Based on my opinion I fully believe Pentagram and not Black Sabbath should receive the dubious honor of being the first pioneers of Heavy Metal (because without the precursor of Doom Metal then the Heavy Metal genre wouldn’t have come to be).
Last Days Here is the 2011 Documentary film featuring Bobby Liebling, lead singer of the American heavy metal band Pentagram Directed by Don Argott and Demian Fenton.
Pentagram- Last Days Here Synopsis:
Co-Director Fenton first became familiar with Liebling after listening to Pentagram’s 1970s recordings on cassette tape and the 2001 compilation First Daze Here, and enjoying the early Pentagram material. He had heard the rumors surrounding Liebling, including him living in the basement of his parent’s house and spending all day and night heavily ingesting illegal drugs.
Last Days Here follows Bobby Liebling, lead singer of Pentagram, an Alexandria, Virgina-based heavy metal group founded in 1971 and active sporadically throughout the following four decades. At the film’s beginning , Liebling is in his 50s, living in Squalor in his parents’ basement, and addicted to various drugs (Pills, Heroin, and Crack). After Pentagram’s music is rediscovered by the heavy metal underground scene, Liebling begins to recover from his lifestyle. His friend and manager Sean “Pellet” Pelletier attempts to help Liebling overcome his drug addiction and escape his old life. The film ends in 2010 with Liebling and Pentagram returning to the stage and Liebling sober, married and his new wife expecting their first child.
Welcome to this Installment on Tidbits For Shits And Giggles Featuring the Animated Music Video Dinner is Not Over by the One and Only Mr. Jack Strauber.
Jack Stauber is a Singer, Songwriter, and Animator from clean, Pennsylvania. Jack also Publishes under the Name Jack Stauber’s Micropop, in which He releases Hist Short Songs from His Social Media or Extended Versions of His Short YouTube Songs. So Far, there are Six Micropop EP’s One Compilation Album, and One Soundtrack Album. Jack Stauber’s Music is often Described as Avantgarde, or Indie Alternative. His Music is a Blend of Pop, Electronic, and Folk.
Strauber’s Videos typically include MS-Paint Animation, 3D Animation, and Other Mixed Media. Nearly all of His Content is Recorded onto a VHS Tape, giving it an Old-Timer Aesthetic. Themes within the Videos may be that of a Typical Song or Something More Cryptic in Nature. Strauber also makes Animated Cartoon Shorts using Microsoft Paint, but more Recently His Videos have been appearing in Different or More Unique Styles of Art. He has also Gained Attention on the Cartoon Network’s Adult Swim, and has Aired One of His Videos on an Episode of “Off the Air”, made an “Adult Swim Smalls”, Created a Whole Mini-Series called SHOP: A Pop Opera, and made the a Short Film Titled OPAL.
Premise:
As Any Child Knows Dinner is Not Over (and You May Not Have Dessert) until You’ve Cleaned Your Plate especially when it comes to Vegetables, But Have You Ever Tasted Death?
We were Perusing some of the Awesome Animation from David Firth (One of Our Favorite Animators) that He did under the Moniker fatpie2. While We were mucking around We Located this Little Slice of Insanity and Couldn’t Be Happier for It. It’s a Music Video that was Animated by David Firth (aka fatpie2) for the Aphex Twins Song MILKMAN from the Girl Boy EP as Well as Some Versions of the RDJ Album.
All We can tell You about the Video is well Not a Whole Hell of a Lot. Your Ears hear a Cosmically Melodic Collage Radio Alternative Rock like Song, and Your Eyes see some Horrifically Violent Imagery of Murder and Mayhem straight out of a Slasher Movie from the 80’s. These Conflicting Messages from the Two Different Senses causes the Brain to Scramble to make Sense of the Vast Contrast in Information. The Video starts like a Kid’s Show Cartoon as the Lyrics pertain to a Milkman and Then a Bit About HIs Wife. After that things get pretty fucking Weird. The Only issue We have with the Song is the Lyrics get fucking Undecipherable, and End up sounding like a Melodious Moan of Sorts. Anyway after We follow the Milkman on His Delivery Route (and Meet His Charming Wife) He is Inexplicably Murdered by a Psychotic Customer at when He Visits Their House for a Delivery. The Killer is a Deformed Inbred Head Case and Necrophiliac Circa the Movie The Hills Have Eyes Who Proceeds to Murder the Shit Out of Everyone He Encounters. The Sick Serial Killer Murders and Mutilates His Various Victims in a Variety of Classic B Horror Movie Methods. So Whats the Meaning of it All? Hell if We Know.
While Searching the Internet for Strange, Unusual, Odd, Creepy, Disturbing, and Down Right Traumatizing Content Stumbled Across the Music Video for Flying Lotus’s “Ready Err Not” and was Instantly and Intensely Interested. The Trippy Soundtrack was Trance Inducing while watching the Accompanying Array of Graphically Violent Imagery Play Out on the Screen. Honestly We have a Goddamn Clue Wtf the Song or Video are Actually About We just Know We get a Real Big Kick Out of It. A Surreal Song and Gore Driven (and Bloodsoaked) Graphics what the fuck is there Not to Love?!
Steven Ellison, known by His Stage Name Flying Lotus or Sometimes FlyLo, is an American Record Producer, Musician, DJ, Filmmaker, Songwriter, and Rapper from Los Angeles, California. He is also the Founder of the Record Label Brainfeeder.
In 2006, while Visiting His Mother’s House, Ellison saw an Advertisement on Cartoon Network’s Adult Swim Programming Block asking for Song Submissions. Ellison decided to Submit a Few of His Songs , Under the Name Flying Lotus (a Moniker Inspired by Lucid Dreaming) and His Songs were Accepted by Adult Swim.
Around this Time, Ellison was Interning at the Pioneering Hip Hop Label Stones Throw Records, and Released His Debut Studio Album called 1983 on October 3, 2006. The Album helped Ellison develop His Eclectic Creative Mission, Forging Compressed, Experimental, Spacey, Electronic, Jazz Rap, and Eastern sounding Hip Hop Beats. The Album Channeled the likes of Madlib as much as Dntel, while Sampling as Far Back as 1970’s Japanese Proto-Synthpop and 1960’s Jazz Harp.
We Here at FYB are Quite Amused to Present the Claymation Music Video “Filthy Apes and Lions”. The Music and Vocals are By Mark Stoemer and Animated as well as Directed by Lee Hardcastle (Who happens to Be one Of Our Favorite Animators Who’s Work We have Featured Several Times Here at FYB). The Song was a Writing Collaboration between Mark Stoemer and Lee Hardcastle.
Mark Stoemer is an American Musician and Songwriter. He is Best Known as the Bassist for the Rock Band The Killers until 2016. In Addition to His Work with The Killers, Stoemer has Released Three Solo Albums one being 2017’s Filthy Apes and Lions. Stoemer also joined The Emo Band The Smashing Pumpkins to Tour in Support of the Band’s Ninth Studio Album Monuments to an Elegy (2014), and Produced The Howling Bells’ Third Studio Album The Loudest Engine.
Stemer Talked about the Songwriting Process behind the Single “Filthy Apes and Lions”: I was doing a Stream of Consciousness, Surrealistic Exercise where You just Write Out Whatever’s on the Top of Your Head, and Then I Started CreatingRhymes, Not Really Knowing where I was going, and then that’s where I got the Lyrics for the Song.
Lee Hardcastle is a British Animator Who Specializes in Stop-Motion Techniques. He is Famous for His Handmade Independent Animations. His Work includes Original Remakes of Emblematic 1980’s Action and Horror Movies, as well as Parodies of Animated Series and Video Clips. His Work is Known for its Violent and Gory Content. He has worked with Many Companies including Momentum Pictures, 20th Century Fox, and Adult Swim, and has Also Worked with Notable Artists such as Sufjan Stevens. Besides Being a Kick Ass Animator Lee Hardcastle was a Member of the Band Shit The Bed.
Shit The Bed was a Hardcore Punk Band with Grindcore Tendencies from Leeds, UK Formed in 2000 by Jordan Ramoth, Richard Kenyon, Dom Smith, and Lee Hardcastle when They were in High School. The then 14 Year Old Band Members used to get Together to Share Their Mutual Love of SST Records as well as Other Shitty Bands that 14 Year Olds are Into. In 2006 Shit The Bed put Out Their first and Only EP Titled Camel Bite! that has amassed a Niche Cult Following over the Years since its Release. The Main Lyrical Themes are Gary Coleman, Computer Games, and Massive Natural Disasters. In Addition to Playing Drums in Shit The Bed Hardcastle also made Music Videos for the Band.
We Noticed in the Claymation Classic HAMSTER HELL Created by One of Our Favorite Claymation Animators Lee Hardcastle the Music was by a Band called Shit The Bed. So having a Penchant for Unusual Music and Love of Hardcastle’s Claymations We had to look into the Band a Bit Further. While Looking into the Shit The Bed We discovered that Lee Hardcastle was in fact the Band’s Drummer, and from there the Hunt was On. Below You will find a Brief Band Bio Followed By Shit The Bed’s EP Camel Bite!, and then the Bonus Track Krakatoa.
Shit The Bed Brief Band Bio:
Shit The Bed was a Hardcore Punk Band with Grindcore Tendencies from Leeds, UK Formed in 2000 by Jordan Ramoth, Richard Kenyon, Dom Smith, and Lee Hardcastle when They were in High School. The then 14 Year Old Band Members used to get Together to Share Their Mutual Love of SST Records as well as Other Shitty Bands that 14 Year Olds are Into. In 2006 Shit The Bed put Out Their first and Only EP Titled Camel Bite! that has amassed a Niche Cult Following over the Years since its Release. The Main Lyrical Themes are Gary Coleman, Computer Games, and Massive Natural Disasters. In Addition to Playing Drums in Shit The Bed Hardcastle also made Music Videos for the Band. The Only Other Recording by the Band Other Than Camel Bite is a Four Song Compilation of Theirs with the Song’s: 1. Fuck Off Government 2. Fuck Off Long Intros 3. Fucked Up Punks 4. Burn Your Fucking Television.
“Music was something I never took seriously but I had incredible fun with it.” Lee Hardcastle