Welcome to Today’s FYB Post featuring the Poem The Gashlycrumb Tinies by the Infamous Writer, Artist, Illustrator, and Tony Award winning Costume Designer Edward Gorey (February 22, 1925 to April 15, 2000) set to Music by Daisy Chapman and Red Carousel. Gorey’s Characteristic Pen-and-Ink drawings often Depict Vauge and Unsettling Narrative Scenes in Both Victorian as well as Edwardian Setting that have Built a Long Term Cult Following Gorey wrote The Gashlycrumb tinies in 1963 and the Poem that serves Cautionary Tale of being Aware of all the Deadly perils of Life that can bring about a Person’s Early Demise. The Poem was once summed up by George Boomer who said “(The Poem) Is a rebellion against a view of childhood that is sunny, idyllic, and instructive.”. The Poem follows a Fairly Simple and Dark Theme Combining The Alphabet, Children, and a Horrible Fate for Each of the Children. The Poem consists of Child with a Name Starting with each Letter of The Alphabet in Chronological Order. What makes this Poem rather Demented is Each Child Mentioned Meets a Variety of Gruesome Deaths carried out in Some Brutally Creative Way.
Throughout Gorey’s Illustrious Career Gorey was known for His Illustrated Books as well as Drawing Cover Art or Illustrations for Other Writers. Gorey illustrated Over 200 Book Covers for a Variety of Publishing Houses including Doubleday Anchor, Random House’s Looking Glass Library, Bubbs-Merrill, and as a Free Lance Artist. Among other Works Gorey illustrated Bram Stoker’s Dracula, H.G. Wells’ The War Of The Worlds, and T.S. Elliot’s Old Possum’s Book Of Practical Cats. When Gorey was working as a Freelance Writer/Illustrator He used several Pen Names, some of which were Anagrams of His First and Last Name like Ogdred Weary, Dogear Wryde, Ms. Regera Dowdy, just to Name a Few. Meanwhile Gorey used Other Pen Names for His Original Work Too such as O. Mude (which is German for O. Weary), and Eduard Blutig which is a German Pun on His Own Name. Also During His Career Gorey conducted Literary Experiments like. Creating Wordless Books, Books the Size of a Matchbox, Pop Up books, and Books that were/are Comprised Entirely of Inanimate Objects.
Gorey Classified His Work as Literary Nonsense, and in Respone to being called Gothic Gorey Replied “If you’re doing nonsense it has to be rather awful, because there’d be no point. I’m trying to think if there’s sunny nonsense. Sunny, funny nonsense for children—oh, how boring, boring, boring. As Schubert said, there is no happy music. And that’s true, there really isn’t. And there’s probably no happy nonsense, either.”
Welcome to Today’s FYB Post featuring CONSUMING and EMBRACE YOUR MADNESS by Content Swedish Creator Alex Unger Who makes Stop Motion Animations as Well as Sculptures in His Free Time. Unger Posts His Videos to His Youtube Channel called Guldies which are Almost Exclusively Tutorials in Sculpting and Animation. But there are Exceptions to/for EVERY Rule and there is a Small Handful of Surreal, Sick, and Twisted Animations. Both of the Videos Showcase a few of User’s Monstrous Mutant Sculptures, and to be Fair Our Favorite of the Two would be CONSUMING. Though We do think EMBRACE YOUR MADNESS is a way fucking cooler Title.
CONSUMING: Is a Slide Show of Two Humanoid looking Mutant Creatures Eating Babies or at Least a Baby.
EMBRACE YOUR MADNESS: Again is a Slide Show Showing the Creative Construction of an Abominable Beast that is Pure fucking Nightmare Fuel. The Creepy Creature Reminds Us of Something Straight Out of the HELLRAISER Movie Franchise and We fucking LOVE HELLRAISER.
CREATIVE NOTE: All Unger’s of the Monstrous Monstrosities in these Videos were Constructed Using Acrylic Paint and Super Sculpey.
Description By Alex Unger The Creator of COMSUMING:
“We leave the younger generation helpless, without a chance to stop us. The unborn can’t even beg us to stop.. We eat our way to human misery.” I
DESCRIPTION By Alex Unger the Creator of EMBRACE YOUR MADNESS:
Welcome to Today’s FYB Post featuring the 4 Videos from the German Content Creator, Musician, Singer, Photographer, and Sculptor Olivia Pils (Who Goes by the Moniker Fake Mistress). This One is Particularly Tricky to Decipher We can Attest to That. So Let’s Start with the General Information First Shall We, Yes We Shall:
The Channel came to be om March 9, 2010.
Between 2010 and 2011 Fake Mistress Posted 4 Videos.
Fake Mistress had Not Posted Anything New in 11 Years.
The Odd Audio was Thought at One Point to be German, BUT it turned out to be Utter fucking Gibberish.
The Channel has a Total of 749 Subscribers.
The Channel has Only the 4 aforementioned Videos.
The Channel has a Total of 35,488 Views to Date.
It has Been Confirmed that all 4 Videos are Art Installations from a Yearly Art Exhibit in Berlin, Germany.
The Channels Playlists, Community, Channels, and About Sections are Blank as Blank can be.
Pils Started as the Singer for the DaDa-Performance Group called Fake Masters.
Haus Schwarzenburg is a Extremely Popular Street Art Gallery Spot in Berlin, Germany.
Neurotitan is a Shop and Art Gallery in Berlin, Germany.
My Thoughts: At First When I Saw this I thought “Huh That’s fucking Weird.” and that would have been the End of It without a Second fucking thought. The fucking Weirder thing was I would cycle Back to Them Periodically Not really knowing why, but now I’m pretty fucking Positive I have figured it all out. To put it Simply every time I watched these Videos for the Next a Day or So it keep popping the fuck into My head here and there Randomly. That’s when it occurred to Me this shit is like Asian Horror. Not the Over the Top Extreme Gore shit (which is Utterly fucking awesome just to clarify) but the Creepy Haunting Kind that Slither into Your Skull and Set Up Shop. So in Summation The More You watch Over Time the More You start Plunging Down a RabbitHole of Your Own fucking Making.
Details: Installation Done 2008 in NEUROTITAN exhibition by Fake Mistress
Details: Multi-Media Installation, Exhibited in NEUROTITAN, Berlin, 2009
Details: interactive multi-media installation by Olivia Pils in the Exhibition: “15 Jahre Haus Schwarzenberg” in the gallery NEUROTITAN, Berlin in october 2010.
Details: An Interactive Multi-Media installation by Olivia Pils in the Exhibition: “15 Jahre Haus Schwarzenberg” in the Gallery NEUROTITAN, Berlin in october 2010.
Welcome to Today’s FYB Post THE FACELESS LADY AND THE BLEEDING PICTURE by Italian Artist, Graphic Designer, Published Author, Sculpture, and Illustrator Paolo Ferrante. Finding Information on Ferrante was/is Tricky as there isn’t a Whole Hell on A lot.
Here are We Found:
Ferrante was Born in 1984.
Ferrante was Born and Lives in the Italian Province of Lecca.
In 2008 Ferrante had His First Book “Le Commedie del Buio”
Ferrante Graduated from The Academy of the Fine Arts in Lecca in 2010.
In 2021 Ferrante made the Finals of the International Poster For Tomorrow Competition with the Theme “Fake News”
Ferrante has His Own Wesite www.ever.trip it/
Ferrante is also can be Found on evertrip.artstation.com
Ferrante has both an Instagram and Telegraph Accounts Under the User Name EverTrip in Addition to His YouTube Channel.
NOTE: Now everything about this 20 something Second Slice of Absurd Inanity would be just Fine at Face fucking Value, But there are 2 Apects/Details in the Video that I can’t fucking Stop Thinking about I just keep Mulling it Over and Over in My Free fucking Time. First is Who the fuck is the fucking Weirdo in the Background, and I’m Not Sure if it’s Supposed to be an Actual Photo or some Pop Art Bullshit Painting. Anyway I’m Referring to it as the Photo and I wonder what the hell is it’s Significance?! I mean Why bother including it at all unless there is some sort of Method to the Madness. Second Why Does the Photo Begin to (and Continues Throughout the Rest of the Video) Start Dripping fucking Blood like a fucking 1980’s B-Horror Slasher fucking Movie. Again I ask What the fuck is the Reason the Photo is Bleeding What the fuck is the Point? Perhaps Adding it was the Point and the Point being its just Simply a Way to fuck with People’s Heads.
Welcome To Today’s FYB Post Featuring CREEPTOPIA’S MOST WANTED: “BUG-EYED BILL” By Artist, Musician, 2D/3D Animator, and Creator of the Creeptoons Series Matt Duncan. “BUG-EYED BILL” is a Spoof (for Those Old Enough to Remember) on the Widely Popular True Crime Television Show “AMERICA’S MOST WANTED” Hosted By John Waters, and Dedicated to bringing Criminals At Large to Justice.
Creeptoons take place in the Fictional Land of Creeptopia and are Disgusting Yet Lovable Monsters, Mutants, or Freaks that Live in the Clogged Arteries of The Mind come to Life. The Grim Creeptoon Characters are a Demented Blend of Both The Adorable and The Macabre.
PLOT: Traumatized as a Young Boy by the Slaughter of His Pet Pig named Belinda “Bug-Eyed Bill” later in Life becomes Infatuated with the Daughter of a New Neighbor who Shares the same Name as His Beloved Dead Pet Pig………
Welcome to Another Monday Post here at FYB featuring MOLOCH by Italian Artist, Graphic Designer, Published Author, Sculpture, and Illustrator Paolo Ferrante. Finding Information on Ferrante was/is Tricky as there isn’t a Whole Hell on A lot, and What there is needs to be Translated unless You speak Fluent Italian (and as We all Know Google Translation is Less than Reliable).
Here are The Bio Info We Located:
Ferrante was Born in 1984.
Ferrante was Born and Lives in the Italian Province of Lecca.
In 2008 Ferrante had His First Book “Le Commedie del Buio”
Ferrante Graduated from The Academy of the Fine Arts in Lecca in 2010.
In 2021 Ferrante made the Finals of the International Poster For Tomorrow Competition with the Theme “Fake News”
Ferrante has His Own Wesite www.ever.trip it/
Ferrante is also can be Found on evertrip.artstation.com
Ferrante has both an Instagram and Telegraph Accounts Under the User Name EverTrip.
Ferrante has an Obscure Youtube Channel Under the Name EverTrip and Here the Stats:
Joined January 13, 2007
Number of Videos 18
321 Subscribers
56,146 Total Views
Synopsis: Two Nightmarish Ghouls meet up in the Middle of the Night in the Depths of Woods to Conduct a Black Magic Demonic Summoning Ritual.
Mondays are a Motherfucking Pain in the Ass so it seemed fucking Appropriate to Post this Considering the Extreme Frustration Surrounding this Post. This FYB Monday is the Official Animated Music Video for the Song “Caveman” by the Death Metal Band known as Goonlord. In a Cool Collaboration the “Caveman” Video was Animated by Non Other then a Recent Favorite of Ours Creeptoons.
Now this is the fucking Frustrating Part of this Post was/is the Lack of Available Information. Allow Me to Explain What I’m Talking about. First Off when You fucking Type Goonlord into a fucking Search Engine it Responds with “Did You Mean Goodlord?” which I damn well didn’t. I don’t know Who the fuck or What the fuck Goodlord is, but it sounds like a Christian Organization and after this Post I fucking Hate Them. I also Check Numerous Websites and Music Platforms and Here is What I Found which isn’t a Hell of a Lot.
Goonlord:
As I mentioned before They are a Death Metal Band.
Goonlord is from Florida.
The Album “Caveman” was Released on Monday November 29th 2021.
You can Find Goonlord’s Music on iToons and Spotify as well as Several Other Music Websites.
Goonlord Albums: Wide Eyed, Caveman, Inhuman, Pariah, and Someone May Die Here.
I Found what I fucking Thought was a Real Lead: goonlordfl.com which was completely fucking Useless. Their were Picks of the Band with No Bios, and There was Merchandise for Sale but No Band Information. It’s fucking Bizarre Yet Death Metal is a Fairly Niche Genre so Maybe I shouldn’t be that fucking Surprised after all. Who fucking Knows Not I.
Band Members:
Wesley Mitchell – Vocals
Jono Sanchez – Guitar
Quentinn “Super Q” Hembree – Guitar
Las Miles – Bass
Jon “Tree” Lelesi – Drums
Now this bring us to Creeptoons which is even more fucking aggravating then Researching Goonlord which was a Real Kick in the Nuts. So without Further Ado here is What I found on Ye Old Creeptoons:
Creeptoons is a Singular Artist
Creeptoons is Male.
Creeptoons has had Art Exhibits at the Modern Eden Gallery.
Besides His Youtube Channel He has an Instagram Account.
He is also on Etsy.
He is on Facebook/Meta (Yeah Right Zuckerberg You Dick).
There is No Personal Information in Any of the Bio aka “About” Categories.
Creeptoon’s Once Described His Work as “Creeptoons are Disgusting, Loveable Monsters that Live in the Clogged Arteries of Your Imagination.
The Closest thing to Anything Personal is Creeptoons refers to/ Describes Himself with just one fucking Word: Artist.
I think the Reason for the Horrendous Lack of Information is Perpetrated by Creeptoons Himself. Remember Kiddies there Artist Who are the Acceptation to the Rule. There Some Artist who are Honestly all about Their Art, and have No Interest in Being Famous or the Hassles that come with it. The Artists want to get Their Art Out there but Don’t want to go out in Public and Get Swarmed with People Badgering Them for Autographs or Picture. It was No Secret that Kurt Cobain for an Example Struggled with Fame and it made Him fucking Miserable. Also there Artists that to Avoid a Kurt Cobain Scenario go to Great Lengths to Keep Their Anonymity like Banksy or Sia for Example. I fully Believe Creeptoons is one of these Artists that wants His Work to Speak for Itself and Keep His Private Life Well Just that Private.
Once again we are the start of a new work week which means returning to work which is a laborious chore, but fear not for I Otto Control am here to rub some salt in the wound. It has been said countless times that the beginning of the work week is truly dreaded and that reputation is more than warranted as we are all aware. The drudgery drenched in misery aspect to Mondays that we all are well aware of as we sell our time, and more over our lives to a job that is nothing more than final fucking slavery. Allow me to put it simply: of all the species on the entire planet Humans are the only one who have to pay to live here.
Let that sink in for a second as it might be a moment before one can get their mind around it. The unacknowledged aspect to the loathsome Monday equation is that much like full moons have a noticeably advert affect on people’s behavior/mentality. That’s to say when people are angry, annoyed, stressed, or depressed they have the tendency to take out their aggression on those around them. Mondays a mired maze of negativity a veritable breeding ground for both malice and mourning.
So in a salute to the anguished insanity of Monday’s post features a video by ARTIST AND CREATOR UMAMI. Umami (aka Justin Tomchuk) is a Canadian artist and content creator who makes surrealist animated videos. Now this is where it gets a bit precarious as for all intents and purposes do not know the title of the video as I can not read any Asian languages. Aside from the title translation situation this little taste of gothic horror reminds me of something a serial killer would have playing on a projector utilizing a bare wall as a screen.
WARNING:This video contains fast flashing images, and It may cause discomfort and trigger seizures for people with Epilepsy. I am well aware the video itself warns of this, but Les wanted me to add it just to insure we did our dual diligence.
Welcome to FYB’s Friday Post Satan Panonski: The, Man, The Myth, The Music which is PART TWO of Yesterdays Satan Panonski: Croatia’s GG Allin. In Yesterday’s Post We covered Satan Panonski on a Biographical Level and Today We’re covering Satan Panonski’s Discography. I did My Best to Provide the Best Audio Sample Platter of Panonski’s Musical Menu if You Will.
Noteworthy Mentions:
SATANPANONSKI-Duro 6.6.1989 Part 3 and Part 4 are Both Footage of Live Performances.
Hard Blood Shock is in English
Ljuljamo ljbljeni ljubicasti lijuli is The Entire Ablum.
ja sam stoma tati AND Che Guevara are Spoken Word Pieces.
Misli Li stok is Recorded Live at a Satan Panonski Show.
SATAN PANONSKI Usijek Stuc 1990 is the Slideshow and Audio Recording of a Satan Panonski Live Show .
SATAN PANONSKI BEOGRAD AKADEMIJA 1991 is a Live Show.
Kiss My Cock is in Yugoslavian/Croatian ACCEPT for the Phrase “Kiss My Cock”.
NOTE: The Live Shows are Copied from Old (Primitive) VHS Tapes that were Traded Underground and Pasted From Fan to Fan so there is No Subtitle Options.
Welcome to a Thursday FYB Post which may be somewhat of a Surprise. I was tooling around Looking for a Music/Musician Piece since it Occurred to ME that We hadn’t Done One in Quite a While. I wasn’t having a Whole Hell of a lot of Luck until I noticed an Article Titled Satan Panonski:The Croatian GG Allin and was Instantly Intrigued. It’s No Secret at this juncture that We here at FYB are Diehard Fans of GG Allin so Obviously the Comparison mad Me sit Up and Take Notice. I spent the Next 48 Hours Scouring the Internet for Any and All Information on Satan Panonski the so called Croatian GG Allin. Now if Finding Information on a Notorious Underground Niche Musician like GG Allin was a Pain in the Ass it made Finding Info on His Croatian Counterpart Satan Panonski almost fucking Impossible. The Main reason for the Serious Lack of Information on Satan Panonski was Even MORE OBSCURE since the Limited Documentation. This was due to Satan Panonski’s EXTREMELY LIMITED Exposure Outside of His Native Croatia, and Small Parts of South Eastern Europe.
This Post was Originally Intended to Showcase the 1990 33 Minute Documentary Film by Serbian Director Milorad Milinkovic (which served as His Graduate Thesis for Film School) on Satan Panonski. The Problem with the Documentary while it is as Interesting as it is Entertaining it was Shot Over an 8 Hour Period. This explains the short Runtime of the Documentary, but it also Explains Why its Far from a Traditional Style Documentary. The Documentary Doesn’t have any Biographical Backstory Information, Musical Career Information (prior to the Filming of said Documentary), and it Didn’t Cover Satan Panonski’s Unusual and Untimely Death.
With so Many Holes if Missing or Lacking Proper Information I set Out to find Out More than just this One article Alone. It was Laborious but Rewarding and I’m Very Glad I did. Thus with all that Said I Tracked Down the Information on Satan Panonski that’s Not Included in the Documentary as Additional Information. No Worries for Anyone Wondering the Documentary is Included at the End of this Post. So Now I give You the Story of Satan Panonski the Croatian GG Allin!
“A Punk By Nationality A Friend By Profession.” – Satan Panonski
Born Ivica Culjak in 1960 in Cerici which is a Village close to Vinkovci Croatia although it was know as Yugoslavia during Virtually all of Culjak’s Life. In the Early 1970’s CulCuljak dropped out of High School and Entered into the Punk Scene where He Garnered a Notorious Reputation for His Crude Music, Violent and Disturbing Live Performances, and Brutally Uncompromising Lyrics. Panonski’s Infamous Live Performance Antics Included, but Not Limited To Breaking Beer Bottles Over His Head, Self Mutilating using a Razor Blade of Piece of Broken Glass, Sticking Safety Pins through His Flesh, and Preforming Dangerous Stunts.
Towards the 1970’s Panonski sought out Psychiatric Help, but this was Allegedly Panonski’s Scheme to Avoid serving Mandatory Military Service in the Yugoslavian Army (Which was at the Time Required). It was during the Same Time Period that Panonski Started to Preform Under the Stage Name Kecer II. In 1979 Panonski became the Singer and Frontman for the Band Pogreb X which Translates to Funeral X. Panonski Claimed throughout His Brief Career that He wanted to “Shock the Audience” and Elaborated by Saying the Following in a 1991 Interview with the Croatian Magazine Globus. “I Shock People to Free Them. When I Shock Them with My Gaze, I know They’ll listen to Me, Then it’s Hypnosis, Madness…..In These Moments, I set Them Free, I Liberate Them from the Barricades that have been Built through Education.” For the Prolific Violence that Panonski Inflicted on Himself wasn’t to Fight or Lash Out Angrily at the Establishment, but as a Product of Culjak’s “Inability to Change Things for the Better” as He said Openly. Unlike GG Allin Panonski Didn’t Hate Life, Loath His Fans, Abuse His Audience, Desire to Destroy Anything, Rage Against Society, Shit on Stage, Bring the Fear Back to Rock’n Roll, or Hate Himself.
In Spite of His Reputation for being Outrageous Panonski had Yet to Reach the turning Point from Musician to Murder. In 1981 Panonski’s Band was Preforming in Vincoshee when a Fight Broke Out. It’s one of those Events where No One Truly knows the Series of Events and the Story variates depending on Who is Telling it. The Most Widely Accepted Explanation is the Fight Broke Out when a Local Low Level Criminal Thug and Degenerate Gambler took issue with Panonski’s Older Brother. Once the Fight Started Panonski intervened to Stand Up and Protect His Brother from this Unsavory Character. Panonski managed to deescalate the Fight/Argument telling the Man that Fighting was Pointless, and They should talk it Out Face to Face Man to Man. The Thug Agreed and He along with Panonski took a seat at a near by Table where the Thug Ordered Them a Couple of Beers.
At one Point Panonski saw something in His Peripheral Vision and Turned His head to see what the fuck it was. Once He turned back to Face the Thug the Thug hauled off and Punched Panonski in the Nose like a Motherfucker Temporarily Stunning Panonski. After a Moment or Two Culjak recovered from the Blow, and Immediately Attacked the Thug in Retaliation for the Sucker Punch. During Their Scuffle Panonski grabbed Hold of a Knife and Stabbed the Thug to Death right There in the Club.
Panonski stood Trial for Murder and Assault (The Assault Charge stemmed from the Fact Panonski had Accidentally Struck an Innocent Bystander during the May-lay). Panonski was Convicted on Both Counts and was Set to Serve Out His 12 Year Sentence in Prison when by Some Unseen Divine Intervention Negotiated that He Shouldn’t be Sent To Prison, But Remanded to a Mental Hospital Instead. The Ploy worked more than likely to the Combination of Panonski’s Claim it was Self Defense coupled with the Fact He sought Psychiatric Help in the 1970’s (even if it was a ruse to get Out of Mandatory Military Service. While Serving out His Sentence in the Metal Hospital Panonski spent His Time Writing Poetry, Making Music, Painting, and Drawing, AND He was even Permitted to Temporarily Leave the Hospital to Play with His Band (or a Live Performance or Press though there wasn’t much of that).
Panonski Adopted the Stage Name Satan Panonski around 1984 for His Solo Work. Panonski continued to Garner a Cult Following as Reputation Grew. Panonski’s Outlandish Live Performances, Unique Production Style, Manner of Dress, and Even His Sexuality (Many People Close to Panonski claimed He was Openly Gay or at Least Sexually Fluid. While this isn’t a Big Deal Today, But the Time Period Panonski Lived in 1960’s-Early 1990’s it definitely was). Less Then Two Years after the Filming of the Documentary Panonski Died under Quite Mysterious Circumstances.
In January 1991 while Serving in the Croatian Military during Croatia’s War for Independence Panonski had Voluntarily Enlisted in the Military (Due to His Intense National Pride). Panonski was found Wearing His Military Uniform with a Single Gunshot Wound to His Head. Panonski was just 32 at the Time of His Death. Since the Exact Circumstances Surrounding Panonski’s Untimely Demise there have been Several Theories on the Subject in Circulation. The First Theory is Panonski Committed Suicide due to the Fact He had Sought Psychiatric Help in the 1970’s, Panonski had been Sentenced to 12 Years in a Mental Hospital, and His Unconventional Life Style as a Manic Musician/Poet/Artist/Writer. The Second Theory is Panonski crossed paths with an Enemy Soldier who then Shot and Killed Panonski which seems Viable as Hell since He was Serving in the Military during the Croatian War for Independence. The Most Common Theory (and seemingly Most Popular) is Panonski simply Accidentally Shot Himself which happens Far More than The Average Person is Aware of. All That Remains of Panonski’s Life and Art are Three Albums, Collection of Poetry, A Mysterious Death, and The Myth of Satan Panonski.
The Three Satan Panonski Albums :
Ljuljajmo ljubljeni ijubicast (1989)
Neklearne Olimpijske Igre (1990)
Kako Je Panker Branie Hrvatsku (1992)
Documentary Synopsis:
SATAN PANONSKI: DOKUMENTARAC is a 1990 Serbian Student Film Directed by Milorad Milinkovic featuring the Best Footage of Panonski’s “Hard Blood Shock” Body Art Performance, a Mixture of Self-Mutilation, Chaotic Punk Rock, and Spoken Word. Also Captured in the Documentary is a Radio Interview (Recorded at 1 am After Panonski’s Performance Earlier that Evening) where Panonski Outlines His Dreams of Creating a Communal “Rock n’ Roll State”, and His Return to the Mental Asylum where He spent the Better Part of the 1980s for Murder.
Self-Identifying as “Punk by Nationality, Friend by Profession” We see His full Tragic Range of Emotions that lead to Comparisons with both Marina Abramovic and GG Allin. If Panonski was Yugoslavia’s/Croatia’s Equivalent to America’s GG, then this is Their HATED (The Infamous GG Allin Documentary by then Film Student Todd Phillips). Like His Albums and the Myths of Panonski’s Life and Death, it has up Until now Only Circulated Underground on VHS Tapes traded at Flea Markets across Eastern Europe, and has likely Never Before been Screened in America.
Documentary Content Rundown:
Part 1 : May 28, 1990 11pm-12am at the Students Cultural Centre
This is Footage From Panonski’s “Hard Blood Shock” Live Performance that includes Poetry, Spoken Word, Panonski Breaking a Beer Bottle Over His Head, Flailing Wildly on the Ground, Sticking Safety Pins into His Bicep, and Some of Panonski’s Songs (along with a Strange Audio Recordings of Panonski Yelling/Screaming/Screeching/Moaning) as a Backdrop to Parts of the Performance. Part One Concludes with Panonski Cleaning Himself Up and Tending to His Wounds in the Venue’s Restroom. During this Scene You can see the Extensive Scarring on Panonski’s Head, Chest, and Arms that’s reminiscent of a Hardcore Deathmatch Wrestling Veteran.
Part 2: May 29, 1990 1am-3am Panonski Does a Post Show Interview for a Local Radio Station. Again this isn’t a Traditional Interview as Panonski spends His Time there Fielding Phone Calls while the DJ acts as a Hype Man. Some of the More Interesting Aspects of Panonski’s so called Interview was the Fact a Couple of Caller did in fact Refer to Him as (The) Wrestler. There were Several Callers be They Fans or Curious Parties asking the Question (Pertaining to Panonski’s 1981 Murder Conviction) if He was in Prison or a Mental Hospital. For the Majority of the Phone Calls were Well Wishers hoping Panonski can Resolve His Mental Health Issues. NOW THE MOST INTERESTING PART of Panonski’s Radio Visit was When the Director was being Antagonistic and Baiting the Haters between Callers. While He is Ranting and Raving He Says “Yes, You, Who Promised Us a Bullet in the Head…” This is Note Worthy considering Panonski Died Mysteriously of a Gun Shot to the Head. Could Panonski have ACTUALLY BEEN KILLED by one of His Detractors?
Part 3: May 29, 1990 4am-5am at a Private Residence
This Ironically is a Real more In-depth Interview where Panonski looking/acting Relaxed for the First Time in the Documentary. Panonski delves into His Unorthodox Personality, Way of Thinking, Artistic Works, His Personal Beliefs, and Yes The Murder as Well.
Part 4: May 29, 1990 3pm-??? Hospital Popovaca
There is No Dialogue outside of Recordings of Panonski’s Poetry and Spoken Word that Accompanies the Scene of Panonski Walking to a Train Station. The Film then Cuts from the Train to the Hospital as the Camera makes Their way Around the Halls until They Reach Panonski’s Hospital Room. The Camera Cuts to Panonski who is Now Lounging Calmly in His Room on His Bed. The Camera moves from Panonski to the Window in His Room, and Does a Close Up of Sorts Out the Window and Ends There.
Enjoy. (Note: The Film is in Croatian with English Subtitles.)