OUR ICONS

Welcome to Today’s FYB Post featuring the Official Music Video for the Song OUR ICONS by ENSEMBLE OF CHRIST THE  SAVIOR AND CRUDE MOTHER EARTH and to be Abundantly Clear This is Post Doesn’t have a Goddamn Thing to Do with Christianity, Jesus, Religion, Jesus, or a fucking Savior. Ensemble of Christ the Savior and Crude Mother Earth is one of the Most Extreme, Uncompromising, and Totally Politically Incorrect Musical Projects of the Russian national Underground Scene (akin to GG Allin, Anal Cunt, and The Murder Junkies for Example). ECSCME’s Music is Raw, Overtly Politicized, Aggressive Hardcore with an Obviously Blatant Bias in Religious and Social Obscurantism.
The Band Members Describe Their Musical Style as being “Radical Political Hardcore”, and “Cult Russian Radical Political Hardcore Project with Aggressive Female and Crazy Granny Vocals. Forever Opposite”

The Trio Consists of Members Starukha Izergil, Alexei Glukhove, and Xenia Hitler have already earned a Well Warranted Reputation in the Circles of the Radical Russian Underground Music Scene. Xenia Hitler has been Involved in a Number of Extreme and Controversial Musical Projects during His Carrier, particularly in Noisecore Coprotechno-Project AUDIOPIZDA. ‘Starukha Izergil’ is one of the most Infamous Human Freak Shows of Counter Culture. Since 1999 Izergil has an Extensive Discography Including both Solo Albums as well as Singles singles, and Unprecedented Orthodox Chauvinist Projects NeoIzergil and ПРАВАЯ СЛАВА и ГРУППА АСКЕТОВ. Izergil Collaborated with Renowned Extreme Musician Alexei Glukhov on more than Two Dozen different Radical Underground Projects (in Particular, groups such as МОЛОТ РОДИНЫ, ПРАВОСЛАВНЫЙ ТРАКТОР, NECROCEPHAL, ВКУСНЫЙ КОНЕЦ, Vomit Fall, Pigworld Bombarder for Example).

It Is What It Is,

 Presented By Les Sober

Carmen’s Banana Cooking Episode #41

Welcome to Today’s FYB Post featuring CARMEN’S BANANA COOKING EPISODE #41. Carmen’s Banana Cooking Show  Aired on Austin Community  Television (Public Access) on Channel 10 on Fridays at 10pm from 1984 until 1992. Carmen would Cook Up Banana Dishes, Showcase Local Talent, and Go on Countless 80’s Austin Adventures. The Show’s Viewing Audience was Comprised of Actual Real Fans as well as Those Who were Fans of the Surreal Absurd fucking Freak Show Factor. The Show was Recently Rescued and Restored Carmen’s Banana Cooking is Streaming for Free On Youtube, and it has an Official Website. Also an Interesting Fact is Every Single Episode of Carmen’s Banana Cooking Show was Produced by Steven David Video.

The Host is a Ugly motherfucker in Wannabe Chiquita Banana Drag with Prosthetics (But remember They weren’t like the Prosthetics used in TV and Film Today. Take for Example Carmen’s Massive Quadruple DD Tits that were made from fucking Paper Mache for fucks sake), and the Finest fucking Dollar Store Wig Available. Carmen is Also Adorned with some Seriously fucking Tacky Banana Gimmick that looks like Some shit You’d buy for a fucking Halloween Costume. As for Carmen’s Make Up it Looks like a Piece of fucking Trailer Park Dwelling Piece of White Trash hooked up with a fucking Las Vegas Meth Addicted $2 Hooker and had a fucking Kid. Also We must fucking Warn You that at the Beginning Carmen Sings some Old Ass Love Song and Sings it HORRIBLY that it makes American Idol Rejects look Talented.

          

Episode Synopsis: First and Foremost the Show has Insanely Shitty Production Value and is EXTREMELY fucking Low Quality as it fucking gets. As We just Mentioned Above the Show Starts with Carmen Murdering the fuck Out of some Back in the Day Love Song. Then Carmen’s Big Sister Karma Stops by for some Utterly Unknown Reason. Karma then Dumps a Basket of what fucking else Bananas and Proceeds to Read Them like Some Sort of Shaman Mystic Medicine Man. Now it’s Not exactly Clear but it Seems that the Banana Basket Bullshit was to Confirm the Winner of the 1988 Election or at Least that’s what the Two Started Babbling About Almost Incoherently.

Our Favorite Line is when Carmen tells Her Sister as Her Sister is Leaving “We’ll Twist Up a few Banana Peels” Not too fucking Subtle Smoke Weed Much? FYI We Smoke Weed so We’re Not talking some Straight Edge Happy Horseshit. The Episode Ends by Transitioning from the Show’s Set to Some Asshole in Bed with Leopard Themed Pillows, Sheets, and Shit Wearing a Cheap Latex Mask (The Kind Used in the Human Doll Fetish). Now whoever the fuck it is or Supposed to be Doesn’t say a single fucking Word and Body Language is as if the Camera Man just Walked into Their Bedroom and Surprised Them so Their Acting all Shyly Taken Aback.

It is What it Is,

   Presented By Les Sober  

Creeptoons Episodes 1 Through 4

Welcome to Today’s FYB Post featuring CREEPTOONS EP. 1-4 Created by Matt Duncan and Gus Fink. In addition to being the Creators of  CREEPTOONS Duncan was also the Animator, and Fink served as Producer. CREEPTOONS is a Fun Little Psychotic Series that Chronicles a Brief Period of Time in a Little Girls Life beginning with Her Rescuing a Stray Cat from a Seedy Back Ally. The Little Girl and the Cat become Best Friends and Go Everywhere Together and Everything is just fucking Peachy, BUT there is a Ominously Sinister Character from the Past Lurking around Every Corner. This Disturbed Individual is Hell Bent on Exacting Revenge upon the Little Girl, and will Stop at Nothing Until They Satisfy Their Thirst for Violence.

                   

Synopsis Episode 1: A Mangy Stray Cat is Rescued from a Psychopath by a Kind Little Girl who gives it a Home. Unfortunately for the New Friends the Psychopath is far from Dead, and Now has Murderous Revenge on His Mind!

Synopsis For Episode 2: The Title Girl and Her New Feline Friend visit a Carnival Freak Show Staring Acts like The Arachnid Kid and ” Master of the Mustache” Hairy Larry, and HEADLESS JOE the Psychopath from Episode 1!

Synopsis for Episode 3:  A News Broadcast Reports Headless Joe has Escaped from the Carnival Freak Show! The News Announcer states that Authorities say Joe is Not Dangerous that in Unless You the Little Girl. The Announcer continues by stating that if You’re this Specific Little Girl How will Find Her, Skin Her Alive, and Feast on Her Corpse! Joe finds the Little Girl at Her Home and Kidnapped Her before turning Her over to a Group of Creepy Clowns!

Synopsis For Episode 4: The Little Girl is Acclimating to Life with the Creepy Clowns while Her Feline Companion goes Searching for Her. The Cat stumbles across a Clown Parade which the Little Girl is a Participant in, and to the Cat’s Dismay appears to want Nothing to Do with it. Then the Shit hits the fan when the Little Girl’s “Clown Dad” demands She Prove Her Loyalty to Her New Found Clown Family by Killing Her Past…….

Thanks For Watching,

   Presented By Les Sober  

I Was A Teenage Murder Junkie Part 2: Concert Of Carnage

G.G. Allin strode out on stage from behind Dino the Naked Drummer with a look of hateful disgust contorting his face. G.G. was wearing a pair of unlaced combat boots that kept tripping him up (it didn’t help that G.G. appeared to be severely drunk or drunk and high perhaps.). G.G. was sporting his token jock strap with “EAT ME” written in black sharpie on the front. Lastly G.G. had on a tattered tan trench coat that had been tagged by a black Sharpie which was used to scrawl “G.G. Allin & The Murder Junkies” down the back. G.G. made his way to the front of the small stage which in reality was more of s slightly elevated platform, and paced back and forth like a enraged tiger that had gone insane from captivity. G.G. grabbed the microphone from the stand like it owed him money and started singing ,but it was more or less yelling his lyrics at the top of his voice making the words hard to decipher at times. The 40-50 person crowd that had piled in behind us at the very last minute became electrified with a combination of fear and absolute awe. I then remembered what Unk had said about the safest place at the show being behind G.G. and thinking whatever happens we’re proper fucked. Due to the crowd forming behind us now Mike, Chuck and I had effectively moved forward into the front of the audience putting us on the front lines. By the time G.G. and The Murder Junkies ended the first song “Bite It You Scum” I was hooked, I had to see for myself what all of the hype was about first fucking hand.

To say G.G.’s reputation proceeded him would be the understatement of the millennium BUT thats another story all together so I digress for now anyway.

After the song ended G.G. tore off the duster like a wounded animal and addressed the crowd. “Did  you miss me?!” asked G.G. like a demented drill sergeant  “Yeah the fucking pigs, the goddamn pig judge those motherfuckers locked me up, they tried to break me, but they didn’t know shit, I’m fucking unbreakable!!” he continued angrily. By now the crowd had backed up forming the body of the audience into a U formation leaving a wide berth in front of the stage. It was in this vacant space that a couple of young fans in black metal t-shirts and torn jeans were slam dancing. G.G.’s tyrannical rant continued “I’m here and I’m really fucking pissed, you’ll being hearing a lot about me in the next couple of months THATS for sure!! Look into my eyes and hate me!” as the band started banging out the G.G. fan favorite “Look Into My Eyes and Hate Me”

I was in shock, frozen like the preverbal deer in the head lights with my eyes wide open fixated on G.G. ,and remembered a quote I had heard that said G.G. Allin was his own one man version of a freak show. How true those words rang now deafening in my head. It was then that some drunk kid with a shaved head did something to piss G.G. off who responded by bounding off stage onto the show floor. G.G. damn near ran at the guy who didn’t see G.G. coming because he was aimlessly spinning in a circle, and once G.G. reached the kid he hauled off and punched in the kid in the face. The startled kid swung wildly in self defense as G.G. continued to punish this kids discrepancy with his fists. After a minute or so a couple of other fans stepped in and dismantled the mayhem as one fan grabbed G.G. around the waist, swung him a 180 degrees, and then shoved him words the stage. G.G. jumped back on stage and picked up the microphone which he had dropped before getting into the fight with the shaved head kid. G.G. picked up right where he left off ending “Look Into My Eyes and Hate Me” flawlessly. Little did I know that the chaos I had witnessed was just the beginning as this engine of insanity was just warming up.

The next 15 minutes of the concert I can sum up by song:

“Die When You Die”- during this popular G.G. anthem G.G. poured a pitcher of cheap beer over his head, slammed the microphone repeatedly into his head until he bled, and left the stage this time to writhe on the filthy cement floor flopping around like a fish out of water that was set on fire.

“Legalize Murder”- during this particular song G.G. played with himself several times, ran out into the audience crashing into fans like a drugged out bumper car. G.G. then returned to the stage where for the rest of the song he cut his chest with a crumpled up beer can while flailing around like a man possessed by demons during a Meth binge. At the end of the song G.G. took a few minutes to ask where the sluts and whores were at as he quickly drained a pint of Jack Daniel’s, and asked the audeince who of them likes to drink,fight and fuck before finally playing the next song in the set.

“I Wanna Fuck Myself”- G.G. look a leak in the corner, played with himself repeatedly, had another fist fight this time with the beer junkie over G.G. helping himself to a couple of beers with no intention what so ever of paying. G.G. slammed his head violently against a pipe that lined the east wall of the venue a couple of times, and G.G. throwing  garbage cans into/at the audience all the while bleeding like a stuck pig his face a veritable crimson mask.

“Shoot, Knife, Strangle, Beat and Crucify” was the next song during which G.G. ditched his jock strap and ran completely naked through the crowd and around the perimeters of the basement the show was being housed in. G.G. stopped singing intermittently during his manic antics some times never finishing the song as The Murder Junkies played on not missing a beat.

“Gypsy Motherfucker” was highlighted by G.G. throwing the mic stand into the audience, shoving a female fan to the floor, a Microphone malfunction, and more of G.G.’s ranting this time over the microphone’s failure.

“What kind of dive bar piece of shit is this? Bunch of goddamn bullshit, can’t get a decent cocksucking mic, who do I have to kill to get decent gear  really? Cuz I’m about to find that fucker and murder them!” G.G. asked aggressively to no one in particular.

This served only to incite the crowd into further rowdiness as fans yelled out their support for G.G. with a growing angst and enthusiasm. G.G. got off stage for the umpteenth time to wander around the concert venue pounding beers along with cocktails he grabbed out of the fans hands as the microphone issue wasn’t being addressed. The Murder Junkies stood around loitering on the stage in some state of confusion as G.G. handled his complaint. Finally some rail thin greasy looking stage tech scrounged up a back up microphone from the bowels of the bar. G.G. snatched it from him immediately and plugged it in as if he was trying to murder the mic by stabbing it with the cord.

“Alright now we’re talking, what the fuck was that bullshit fucking unprofessional assholes” G.G. announced mumbling to the crowd as they became yet more frantic by the minute. You could feel the energy escalating, higher and higher as the adrenaline was flowing freely kicking in the intensity of the fight or flight principle. Tensions were so strained that at any moment it seemed the room could erupt in a full on, full blown riot of biblical proportions.

“Now we’re going to play is what the fuck I am a Son Of Evil!” G.G. snarled in a low growl of sorts. 15 seconds into the song the lights went out. Mike, Chuck and I were now standing side by side in total blackness, not darkness mind you I’m talking black like the finality of death itself. The only lights as I’ve mentioned were the stage lights which now had become enveloped along with everything else in the pitch black of the bar’s basement. The stunned crowd started chattering like a swarm of locusts as people tried to deduce what had happened or what had possible just happened to cause the black out and so suddenly at that. Several minutes passed as the questioning crowd grew more irritated than fearful over the total lack of light. The sounds of frustration started to ring out, the breaking of glass beer bottles, the loud and violent yelling ( “Lets fuck shit up!” “Fuck this shit!” “Burn this shithole down” “Fuck this I paid 5 bucks for a fucking ticket and I get this bullshit! “Hell fucking no!” are a few examples of what I heard.) and other various sounds of impending destruction all around us.

As the crowd wound itself up to a fevered pitch I had a reoccurring thought.

“If anything happens we’re proper fucked.”