Tag: GG Allin

Welcome to a Thursday  FYB Post which may be somewhat of a Surprise. I was tooling around Looking for a Music/Musician Piece since it Occurred to ME that We hadn’t Done One in Quite a While. I wasn’t having a Whole Hell of a lot of Luck until I noticed an Article Titled Satan Panonski: The Croatian GG Allin and was Instantly Intrigued. It’s No Secret at this juncture that We here at FYB are Diehard Fans of GG Allin so Obviously the Comparison mad Me sit Up and Take Notice. I spent the Next 48 Hours Scouring the Internet for Any and All Information on Satan Panonski the so called Croatian GG Allin. Now if Finding Information on a Notorious Underground Niche Musician like GG Allin was a Pain in the Ass it made Finding Info on His Croatian Counterpart Satan Panonski almost fucking Impossible. The Main reason for the Serious Lack of Information on Satan Panonski was Even MORE OBSCURE since the Limited Documentation. This was due to Satan Panonski’s EXTREMELY LIMITED Exposure Outside of His Native Croatia, and Small Parts of South Eastern Europe.

This Post was Originally Intended to Showcase the 1990 33 Minute Documentary Film by Serbian Director Milorad Milinkovic (which served as His Graduate Thesis for Film School) on Satan Panonski. The Problem with the Documentary while it is as Interesting as it is Entertaining it was Shot Over an 8 Hour Period. This explains the short Runtime of the Documentary, but it also Explains Why its Far from a Traditional Style Documentary. The Documentary Doesn’t have any Biographical Backstory Information, Musical Career Information (prior to the Filming of said Documentary), and it Didn’t Cover Satan Panonski’s Unusual and Untimely Death.

With so Many Holes if Missing or Lacking Proper Information I set Out to find Out More than just this One article Alone. It was Laborious but Rewarding and I’m Very Glad I did. Thus with all that Said I Tracked Down the Information on Satan Panonski that’s Not Included in the Documentary as Additional Information. No Worries for Anyone Wondering the Documentary  is Included at the End of this Post. So Now I give You the Story of Satan Panonski the Croatian GG Allin!

“A Punk By Nationality A Friend By Profession.” – Satan Panonski 

Born Ivica Culjak in 1960 in Cerici which is a Village close to Vinkovci Croatia although it was know as Yugoslavia during Virtually all of Culjak’s Life.  In the Early 1970’s CulCuljak dropped out of High School and Entered into the Punk Scene where He Garnered a Notorious Reputation for His Crude Music, Violent and Disturbing Live Performances, and Brutally Uncompromising Lyrics. Panonski’s Infamous Live Performance Antics Included, but Not Limited To Breaking Beer Bottles Over His Head, Self Mutilating using a Razor Blade of Piece of Broken Glass, Sticking Safety Pins through His Flesh, and Preforming Dangerous Stunts.

Towards the 1970’s Panonski sought out Psychiatric Help, but this was Allegedly Panonski’s Scheme to Avoid serving Mandatory Military Service in the Yugoslavian Army (Which was at the Time Required). It was during the Same Time Period that Panonski Started to Preform Under the Stage Name Kecer II. In 1979 Panonski became the Singer and Frontman for the Band Pogreb X which Translates to Funeral X. Panonski Claimed throughout His Brief Career that He wanted to “Shock the Audience” and Elaborated by Saying the Following in a 1991 Interview with the Croatian Magazine Globus. “I Shock People to Free Them. When I Shock Them with My Gaze, I know They’ll listen to Me, Then it’s Hypnosis, Madness…..In These Moments, I set Them Free, I Liberate Them from the Barricades that have been Built through Education.” For the Prolific Violence that Panonski Inflicted on Himself wasn’t to Fight or Lash Out Angrily at the Establishment, but as a Product of Culjak’s “Inability to Change Things for the Better” as He said Openly. Unlike GG Allin Panonski Didn’t Hate Life, Loath His Fans, Abuse His Audience, Desire to Destroy Anything, Rage Against Society, Shit on Stage, Bring the Fear Back to Rock’n Roll, or Hate Himself.

In Spite of His Reputation for being Outrageous Panonski had Yet to Reach the turning Point from Musician to Murder. In 1981 Panonski’s Band was Preforming in Vincoshee when a Fight Broke Out. It’s one of those Events where No One Truly knows the Series of Events and the Story variates depending on Who is Telling it. The Most Widely Accepted Explanation is the Fight Broke Out when a Local Low Level Criminal Thug and Degenerate Gambler took issue with Panonski’s Older Brother. Once the Fight Started Panonski intervened to Stand Up and Protect His Brother from this Unsavory Character. Panonski managed to deescalate the Fight/Argument telling the Man that Fighting was Pointless, and They should talk it Out Face to Face Man to Man. The Thug Agreed and He along with Panonski took a seat at a near by Table where the Thug Ordered Them a Couple of Beers.

At one Point Panonski saw something in His Peripheral Vision and Turned His head to see what the fuck it was. Once He turned back to Face the Thug the Thug hauled off and Punched Panonski in the Nose like a Motherfucker Temporarily Stunning Panonski. After a Moment or Two Culjak recovered from the Blow, and Immediately Attacked the Thug in Retaliation for the Sucker Punch. During Their Scuffle Panonski grabbed Hold of a Knife and Stabbed the Thug to Death right There in the Club.

Panonski stood Trial for Murder and Assault (The Assault Charge stemmed from the Fact Panonski had Accidentally Struck an Innocent Bystander during the May-lay). Panonski was Convicted on Both Counts and was Set to Serve Out His 12 Year Sentence in Prison when by Some Unseen Divine Intervention Negotiated that He Shouldn’t be Sent To Prison, But Remanded to a Mental Hospital Instead. The Ploy worked more than likely to the Combination of Panonski’s Claim it was Self Defense coupled with the Fact He sought Psychiatric Help in the 1970’s (even if it was a ruse to get Out of Mandatory Military Service. While Serving out His Sentence in the Metal Hospital Panonski spent His Time Writing Poetry, Making Music, Painting, and Drawing, AND He was even Permitted to Temporarily Leave the Hospital to Play with His Band (or a Live Performance or Press though there wasn’t much of that).

Panonski Adopted the Stage Name Satan Panonski around 1984 for His Solo Work. Panonski continued to Garner a Cult Following as Reputation Grew. Panonski’s Outlandish Live Performances, Unique Production Style, Manner of Dress, and Even His Sexuality (Many People Close to Panonski claimed He was Openly Gay or at Least Sexually Fluid. While this isn’t a Big Deal Today, But the Time Period Panonski Lived in 1960’s-Early 1990’s it definitely was). Less Then Two Years after the Filming of the Documentary Panonski Died under Quite Mysterious Circumstances.

In January 1991 while Serving in the Croatian Military during Croatia’s War for Independence Panonski had Voluntarily Enlisted in the Military  (Due to His Intense National Pride). Panonski was found Wearing His Military Uniform with a Single Gunshot Wound to His Head. Panonski was just 32 at the Time of His Death. Since the Exact Circumstances Surrounding Panonski’s Untimely Demise there have been Several Theories on the Subject in Circulation. The First Theory is Panonski Committed Suicide due to the Fact He had Sought Psychiatric Help in the 1970’s, Panonski had been Sentenced to 12 Years in a Mental Hospital, and His Unconventional Life Style as a Manic Musician/Poet/Artist/Writer. The Second Theory is Panonski crossed paths with an Enemy Soldier who then Shot and Killed Panonski which seems Viable as Hell since He was Serving in the Military during the Croatian War for Independence. The Most Common Theory (and seemingly Most Popular) is Panonski simply Accidentally Shot Himself which happens Far More than The Average Person is Aware of. All That Remains of Panonski’s Life and Art are Three Albums, Collection of Poetry, A Mysterious Death, and The Myth of Satan Panonski.

The Three Satan Panonski Albums :

1. Ljuljajmo ljubljeni ijubicast (1989)
2. Neklearne Olimpijske Igre (1990)
3. Kako Je Panker Branie Hrvatsku (1992)

Documentary Synopsis:

SATAN PANONSKI: DOKUMENTARAC is a 1990 Serbian Student Film Directed by Milorad Milinkovic featuring the Best Footage of Panonski’s “Hard Blood Shock” Body Art Performance, a Mixture of Self-Mutilation, Chaotic Punk Rock, and Spoken Word. Also Captured in the Documentary is a Radio Interview (Recorded at 1 am After Panonski’s Performance Earlier that Evening) where Panonski Outlines His Dreams of Creating a Communal “Rock n’ Roll State”, and His Return to the Mental Asylum where He spent the Better Part of the 1980s for Murder.

Self-Identifying as “Punk by Nationality, Friend by Profession” We see His full Tragic Range of Emotions that lead to Comparisons with both Marina Abramovic and GG Allin. If Panonski was Yugoslavia’s/Croatia’s Equivalent to America’s GG, then this is Their HATED (The Infamous GG Allin Documentary by then Film Student Todd Phillips). Like His Albums and the Myths of Panonski’s Life and Death, it has up Until now Only Circulated Underground on VHS Tapes traded at Flea Markets across Eastern Europe, and has likely Never Before been Screened in America.

Documentary Content Rundown:

Part 1 : May 28, 1990 11pm-12am at the Students Cultural Centre

This is Footage From Panonski’s “Hard Blood Shock” Live Performance that includes Poetry, Spoken Word, Panonski Breaking a Beer Bottle Over His Head, Flailing Wildly on the Ground, Sticking Safety Pins into His Bicep, and Some of Panonski’s Songs (along with a Strange Audio Recordings of Panonski Yelling/Screaming/Screeching/Moaning) as a Backdrop to Parts of the Performance. Part One Concludes with Panonski Cleaning Himself Up and Tending to His Wounds in the Venue’s Restroom. During this Scene You can see the Extensive Scarring on Panonski’s Head, Chest, and Arms that’s reminiscent of a Hardcore Deathmatch Wrestling Veteran.

Part 2: May 29, 1990 1am-3am Panonski Does a Post Show Interview for a Local Radio Station. Again this isn’t a Traditional Interview as Panonski spends His Time there Fielding Phone Calls while the DJ acts as a Hype Man. Some of the More Interesting Aspects of Panonski’s so called Interview was the Fact a Couple of Caller did in fact Refer to Him as (The) Wrestler. There were Several Callers be They Fans or Curious Parties asking the Question (Pertaining to Panonski’s 1981 Murder Conviction) if He was in Prison or a Mental Hospital. For the Majority of the Phone Calls were Well Wishers hoping Panonski can Resolve His Mental Health Issues. NOW THE MOST INTERESTING PART of Panonski’s Radio Visit was When the Director was being Antagonistic and Baiting the Haters between Callers. While He is Ranting and Raving He Says “Yes, You, Who Promised Us a Bullet in the Head…” This is Note Worthy considering Panonski Died Mysteriously of a Gun Shot to the Head. Could Panonski have ACTUALLY BEEN KILLED by one of His Detractors?

Part 3: May 29, 1990 4am-5am at a Private Residence

This Ironically is a Real more In-depth Interview where Panonski looking/acting Relaxed for the First Time in the Documentary. Panonski delves into His Unorthodox Personality, Way of Thinking, Artistic Works, His Personal Beliefs, and Yes The Murder as Well.

Part 4: May 29, 1990 3pm-??? Hospital Popovaca

There is No Dialogue outside of Recordings of Panonski’s Poetry and Spoken Word that Accompanies the Scene of Panonski Walking to a Train Station. The Film then Cuts from the Train to the Hospital as the Camera makes Their way Around the Halls until They Reach Panonski’s Hospital Room. The Camera Cuts to Panonski who is Now Lounging Calmly in His Room on His Bed. The Camera moves from Panonski to the Window in His Room, and Does a Close Up of Sorts Out the Window and Ends There.

Enjoy. (Note: The Film is in Croatian with English Subtitles.)

Thanks For Reading/Watching,

   Presented By Les Sober