To Whom it may concern,
It is I Otto here as Les and Justin took off on a impromptu road trip which I opted out of. I enjoy my own company to that of any other so being stuck in a hellishly small RV with Les and Justin is something I sincerely want nothing to do with. My idea of a vacation is alienation in isolation removed far from the confining shackles of a sick society. Last time Les called he wasn’t pleased that I had in all due favor neglected my FYB Responsibilities in their absence so here we are.
As what to post I was left up to my own dark devices having carte blanche to choose the topic and content of said post. Needless to say I was intrigued with this newly found freedom. You see my main function since I started assisting Les here in the haunted hallowed halls of FYB is research which I am quite fond of. I like being on my own to plunge head first down any and every rabbit hole I wish with reckless abandon. Being that this was all unplanned and very last minute I didn’t have anything in particular in mind initially as it were. I pulled out a volume of notes I had compiled a few months ago and started parozing it to see if anything caught my eye. I then just so happened locate notes I had collected on Isamu Saburo Tadashi.
Isamu Saburo Tadashi had dedicated his life and his career to Japan’s Ministry of land, infrastructure, transportation, and tourism (MLIT). Tadashi married young at the age of 16 to his beloved wife Emiko, and just a year later Emiko gave birth to the couple’s first child a boy they named Masao. At a 18 Tadashi started his life long career at the MLIT, and as luck would have it the couple welcomed their second child a girl named Hiroko that same year. Time marched on and Tadashi’s career at the MLIT was taking off. Early on in his career Tadashi had received promotion after promotion along with a slew of various awards, and received the highest of Accolades from his superiors. Then one sunny summer day tragedy struck when Tadashi’s wife Emiko was struck an killed by an absent minded motorist. Tadashi lapsed into a alcohol fueled depression, but thanks to his loving and devoted children managed to fight through his inner demons.
Life rolled on and the family recovered from the loss until tragedy struck once again. One day on the way home from school Tadashi’s Son Masao then 14 years old and his 12 year old sister Hiroko decided to take a short cut home. Unfortunately for the siblings the short cut required them to cross several sets of train tracks which proved to be a fatal flaw. While crossing the tracks Masao one of his feet stuck in-between a set of rail road tracks, and it wasn’t long before Masao had a Tokyo commuter train barring down the tracks right at him. The panic boy fought furiously to free his foot before meeting a gruesome and untimely death. Hiroko refused her brothers pleas for her to escape to safety, and remained by his side trying in vane to save her brother until the very and deadly end. The commuter train wasn’t scheduled to stop at this particular station and was speeding along the rails at a top speed and hit the children dead on killing them both and obliterating their small fragile bodies.
Tadashi who was now battling PTSD as well as clinical depression started to experiment with unconventional hallucinogens developing a profound fondness for smoking the venom of the poisonous Bufo Alvarious Toad (a rare species of toad native to the Sonoran Desert). The Bufo toad’s is known as 5-MeO-DMT: an extremely potent natural psychedelic. 5-MeO-DMT is about 4 to 6 times more powerful than its better-known cousin DMT (dimethytrptamine). As one can imagine Tadashi’s unorthodox drug use quickly began to affect his work at MLIT where he was finally demoted to developing MLIT public service announcements (PSA). Right before his death at 81 from a massive stroke Tadashi set about creating his most dementedly disturbing series of PSA’s majority of which focus on train/train tracks safety.
The Gritty and some what distorted series not only was hyper focused on train safety but also feature 2 eerie characters both of which appear to be young children, and one if obviously male and his counterpart female. Due to the horrific deaths of Tadashi’s son and daughter on the train tracks people became to speculate that Tadashi had gone mad with grief (and died of a broken heart) having lost his cherished children and adoring wife. The story began to take on a life of its own as it evolved into urban legend status particularly in the paranormal communities. The current version of the story is Tadashi consumed with sorrow at the loss of his family that he began to practice necromancy (the supernatural concept of actually raising/channeling the dead). At some point Tadashi employed the use of an Ouija board in his desperate attempts to reunite with his deceased loved ones, and it resulted in Tadashi accidentally trapping the ghosts of his dead children in the PSA’s where they remain to this very day. Due to Tadashi’s mental deterioration his final series of PSA was locked away and was never intended to see the light of day ever again. Then in 2013 while the MLIT was undergoing a massive revamping the lost Tadashi PSA where discovered stashed in a rusty old filing cabinet that was jammed into a dark corner of the basement.
So are Tadashi’s final PSAs in fact haunted by the ghosts of his deceased children? Are they cursed in some way? Will watching them induce insanity in the viewer? Probably not but that doesn’t make them any less creepy as fuck.
Sweet dreams & Bitter nightmares,
Otto Rageous
Presented By Les Sober