Ganja and Gore: The Legacy of Cannabis Corpse

Welcome to FYB’s Latest Music Post where We Answer the Question “What Do You Get when You Mix Legendary Death Metal Band Cannibal Corpse,  Cheech & Chong, Love of Horror Movies, and Low Brow Humor? The Answer is CANNABIS CORPSE!!! The Band’s Name is a Parody of the Aforementioned Death Metal Pioneers Cannibal Corpse, But Don’t be Mistaken  Cannabis Corpse plays 100% Original Songs. Along with Band’s Name Cannabis Corpse’s Album/Song Titles are also Parodies of Many Other Assorted Death Metal Band’s Album/Song Titles. The Band has Featured or Currently Features Members of the Bands GWAR, Six Feet Under, Municipal Waste, Antietam 1862, and The Black Dalia Murders.

The Name Cannabis Corpse was Coined in 1999 by Brothers Phillip “Landphil” and Josh “Hallhammer” Hall. It Wasn’t Until 2006 when the Hall Brothers Recorded a Demo along with Any “Weedgrinder” Horn that Cannabis Corpse became a Reality. Cannabis Corpse’s Demo would go on to Eventually become Their Debut Album Blunted at Birth. Soon after Their Demo Release Cannabis Corpse was signed as the First Band to Forcefield Records. It Helped that The Founders of Forcefield where Personal Friends of the Band, and are also Based in Richmond, Virginia.

                    

Cannabis Corpse on Cannabis Corpse:

“Cannabis corpse is a band that was born in the summer of 2006 as a way to express our love of smoking weed and listening to Cannibal Corpse. The tunes were recorded in Weedgrinders kitchen on a boss br 900 digital 8-track while slowly smoking away huge chunks of memory with the finest bud in oregon hill.We did it in the hopes of creating a band that got you stoned with a sick oldschool death metal sound alone! We can promise you that every growl, every guitar riff, and every drum beat was done when we were completely obliterated on sweet sweet chiba. We want people to spark up a doober and follow along with the lyrics so you can be transported into a horrific world where you are not safe from getting your weed stolen by bloodthirsty zombies or getting captured by an ancient cult that cultivates demonic weed with the blood and body parts of sacred ritual sacrifice!Your brain will be melted by this non stop audio assault!Enter into the chambers of bud!” -Cannabis Corpse-

                   

CANNABIS CORPSE CURRENT LINE UP:
  • Philip “Landphil” Hall – Bass (2006–Present), Vocals (2012–Present), Lead Guitar (2006–2008, 2012–2015), Keyboards (2011–2012)
  • Josh “HallHammer” Hall – Drums (2006–Present)
  • Adam Guilliams – Lead Guitar (2015-Present)
  • Ray Suhy – Rythme Guitar (2015–Present)

                   

PREVIOUS MEMBERS:
  • Nick “Nikropolis” Poulos – Guitars (2008–2012)
  • Andy “Weedgrinder” Horn – Vocals (2006–2012)
  • Brent Purgason – Lead Guitar (2012–2014)
  • Brandon Ellis – Lead Guitar (2014–2015)
TOURING MEMBERS:
  • Vic “Con-Vic” Anti – Guitars (2009)
  • Adam Jinch – Lead Guitar (2017)
  • Adam Guilliams – Lead Guitar (2018–Present)

                   

GUEST APPEARANCES:
  • Jeff “Wartom” Bush : 2006, Guest Vocals on “Force Fed Shitty Grass”
  • Will “Power” Towles : 2006, Guest Vocals on “When Weed Replaces Life”
  • Randy Blythe : Jan. 7, 2012, Guest Appearance at the ‘Cory Smoot Benefit Show’ and at the ‘Welcome Home Randy Blythe show’
  • Chris Barnes : 2014, Guest Vocals on “Individual Pot Patterns”
  • Trevor Strnad : 2014, Guest Vocals on “With Their Hash He Will Create”

                   

ALBUMS:

  • Blunted at Birth (2006)
  • Tube of the Resinated (2008)
  • Beneath Grow Lights Thou Shalt Rise (2011)
  • From Wisdom to Baked (2014)
  • Left Hand Pass (2017)
  • Nug So Vile (2019)
  • Violence Unimagined (2021)

                   

EPs:

  • The Weeding (2009)
  • Splatterhash (2013) : A Split EP with the Death Metal Band Ghoul

Singles:

Blame it on the Bud (2011)

                    

LIST OF VIDEOS BELOW:

  • “Dawn of weed Possession” (Official Video Shot in a B Horror Slasher Movies meets Comic Book Style Format)
  • “Cylinders of Madness” (Animated Official Video)
  • “Gateways to Inhalation” (Concert Footage Focusing on the Fans/Audience)
  • “From Enslavement to Hydrobliteration” (Animated Official Video)
  • “Skull Full of Bong Hits” (Montage of Various Concert Footage)
  • Cannabis Corpse Live at Saint Vitus Bar, December 19th, 2014 (Full Set)

Thanks For Reading/Watching,

   Presented By Les Sober  

FYB Musical Monday Part One: The Band Known As GHOUL

As part of FYB Musical Monday We are Showcasing the Trash-Death Metal Grindcore Band from Oakland California known as GHOUL!

Very Little is Known about the band Ghoul as they always seen wearing Masks/Hoods. The Members of the Band go by the Stage Names Cremator, Fermentor, Digestor, and Dissector. Though the Band’ Member’s Identities are meant to be Concealed, it is known the Some Current/Past members of Ghoul also play/have Played in Other Bands such as Impaled, Dystopia, Morbid Angel, Phobia, Asunder, Morosidad, and Wolves in the Throne Room.  Ghoul has an extensive Line up of Characters featured in Their Lyrics, Including the Band Members Themselves. Most of the Information pertaining to Ghoul comes from the “Curio Shop Owner” who is one of Ghoul’s many Characters mentioned in Their Songs. Ghoul claims to be Mutants that herald from the Fictional Land of Creepsylvania.            Below are 2 Official Ghoul Music Videos, A Live Concert Song Excerpt, and for those who find Themselves wanting to know/See/Hear more there is the Full Length Ghoul Concert Live at The National on 10/20/17. Enjoy.

Hope You Enjoyed this Massive Dose of Mutant Metal as Much as We Did.

Presented by Les Sober

Lost in Louisiana : My 1st DFF Assignment

For my first official assignment for DFF Magazine:

“Suck The Head’s Psychobilly Showdown” July 8th 1991 Vol. 54

Suck The Head got their name from a popular tradition of sorts while eating Crawfish down in the Pan Handle region. It means that a Person literally sucks the juices, brains, small caps of meat out of the Crawfish’s Head like a fucking Swamp Dwelling Zombie.

Now Suck The Head was gaining attention due mainly in part to their Raucous Booze Fueled Live Shows, and a penchant for Bar Fights. Suck The Head was a Psychobilly Loving Trio comprised of Donovan Wyatt on Guitar and Vocals, Kaden Crew on Drums, and Drunk Mulligan on Drums. The 3 meet each other growing up in Triumph Louisiana with a population of a mere 216. None of the group’s members attended High School as they worked a myriad of jobs to help support their families meager income.

Kaden was a deck hand on a shrimping boat, Mulligan Noodled for Large/Giant Catfish (one day as a joke he was Noodling with his pecker, but unfortunately for him it was a Alligator Snapping Turtle living inside the cave in the river bank. The AST lunged at Mulligans member and managed to severe the head of his schlong. Later a Team of Asian Specialists from Germany replaced the missing head of Mulligan’s prick with the tip from one of his big toes), Donovan hunted Alligator’s along the way.

Suck The Head’s pre show warm up is a vulgar display of Alcoholism. Before each show the 3 members split a Manson Jar of 171 proof Moonshine, and 3 30 packs of PBR. The drinking however doesn’t stop once Suck The Head takes the stage. Sporting their usual on stage attire made up of a Wife Beater Shirt and Old, Worn Out, Scum/Dirt covered Overalls, and Barefoot. As the show goes on the band takes increasingly longer breaks between songs in favor of drinking more. Once the Whisky starts going down like water all bets are off.

Donovan has been arrested several times for drunkenly stage diving into the audience to fight some audience member over god knows what (usually Donovan would say the person was looking at him in some disrespectful or mocking manner) Once Kaden swung his bass guitar at a disruptive fans head, but missed accidentally striking a older woman who had had 1 to many facelifts causing her face to completely pop off. Kaden then drunkenly tried to staple the woman face back on before the police came busting in. Mulligan was notorious for getting drunk and not only picking fights with show promoters/Club Owners over pay, but he was also well known for running off stage to the nearest farm and sexually assaulting a variety of farm animals.

Suck The Head’s debut album “Backwater Bitch Slap” on the Indie Label Spastic Colon Records next month on March 17th, and will be available in limited release. If I had one criticism it would be that the band has NO presence on the Internet (which granted nowadays is utterly fucking insane) due to the fact all 3 members of Suck The Head despise computers and are known to sporadically smash fans smart phones in disgust if they see them fiddling with them at Live Shows/Appearances. All in all though Suck The Head will always be a local Louisiana Legends, yet their chances to break out beyond the boarders of Louisiana itself are slim to none.

Thanks for Reading,

Les Sober 

I Was A Teenage Murder Junkie Part 2: Concert Of Carnage

G.G. Allin strode out on stage from behind Dino the Naked Drummer with a look of hateful disgust contorting his face. G.G. was wearing a pair of unlaced combat boots that kept tripping him up (it didn’t help that G.G. appeared to be severely drunk or drunk and high perhaps.). G.G. was sporting his token jock strap with “EAT ME” written in black sharpie on the front. Lastly G.G. had on a tattered tan trench coat that had been tagged by a black Sharpie which was used to scrawl “G.G. Allin & The Murder Junkies” down the back. G.G. made his way to the front of the small stage which in reality was more of s slightly elevated platform, and paced back and forth like a enraged tiger that had gone insane from captivity. G.G. grabbed the microphone from the stand like it owed him money and started singing ,but it was more or less yelling his lyrics at the top of his voice making the words hard to decipher at times. The 40-50 person crowd that had piled in behind us at the very last minute became electrified with a combination of fear and absolute awe. I then remembered what Unk had said about the safest place at the show being behind G.G. and thinking whatever happens we’re proper fucked. Due to the crowd forming behind us now Mike, Chuck and I had effectively moved forward into the front of the audience putting us on the front lines. By the time G.G. and The Murder Junkies ended the first song “Bite It You Scum” I was hooked, I had to see for myself what all of the hype was about first fucking hand.

To say G.G.’s reputation proceeded him would be the understatement of the millennium BUT thats another story all together so I digress for now anyway.

After the song ended G.G. tore off the duster like a wounded animal and addressed the crowd. “Did  you miss me?!” asked G.G. like a demented drill sergeant  “Yeah the fucking pigs, the goddamn pig judge those motherfuckers locked me up, they tried to break me, but they didn’t know shit, I’m fucking unbreakable!!” he continued angrily. By now the crowd had backed up forming the body of the audience into a U formation leaving a wide berth in front of the stage. It was in this vacant space that a couple of young fans in black metal t-shirts and torn jeans were slam dancing. G.G.’s tyrannical rant continued “I’m here and I’m really fucking pissed, you’ll being hearing a lot about me in the next couple of months THATS for sure!! Look into my eyes and hate me!” as the band started banging out the G.G. fan favorite “Look Into My Eyes and Hate Me”

I was in shock, frozen like the preverbal deer in the head lights with my eyes wide open fixated on G.G. ,and remembered a quote I had heard that said G.G. Allin was his own one man version of a freak show. How true those words rang now deafening in my head. It was then that some drunk kid with a shaved head did something to piss G.G. off who responded by bounding off stage onto the show floor. G.G. damn near ran at the guy who didn’t see G.G. coming because he was aimlessly spinning in a circle, and once G.G. reached the kid he hauled off and punched in the kid in the face. The startled kid swung wildly in self defense as G.G. continued to punish this kids discrepancy with his fists. After a minute or so a couple of other fans stepped in and dismantled the mayhem as one fan grabbed G.G. around the waist, swung him a 180 degrees, and then shoved him words the stage. G.G. jumped back on stage and picked up the microphone which he had dropped before getting into the fight with the shaved head kid. G.G. picked up right where he left off ending “Look Into My Eyes and Hate Me” flawlessly. Little did I know that the chaos I had witnessed was just the beginning as this engine of insanity was just warming up.

The next 15 minutes of the concert I can sum up by song:

“Die When You Die”- during this popular G.G. anthem G.G. poured a pitcher of cheap beer over his head, slammed the microphone repeatedly into his head until he bled, and left the stage this time to writhe on the filthy cement floor flopping around like a fish out of water that was set on fire.

“Legalize Murder”- during this particular song G.G. played with himself several times, ran out into the audience crashing into fans like a drugged out bumper car. G.G. then returned to the stage where for the rest of the song he cut his chest with a crumpled up beer can while flailing around like a man possessed by demons during a Meth binge. At the end of the song G.G. took a few minutes to ask where the sluts and whores were at as he quickly drained a pint of Jack Daniel’s, and asked the audeince who of them likes to drink,fight and fuck before finally playing the next song in the set.

“I Wanna Fuck Myself”- G.G. look a leak in the corner, played with himself repeatedly, had another fist fight this time with the beer junkie over G.G. helping himself to a couple of beers with no intention what so ever of paying. G.G. slammed his head violently against a pipe that lined the east wall of the venue a couple of times, and G.G. throwing  garbage cans into/at the audience all the while bleeding like a stuck pig his face a veritable crimson mask.

“Shoot, Knife, Strangle, Beat and Crucify” was the next song during which G.G. ditched his jock strap and ran completely naked through the crowd and around the perimeters of the basement the show was being housed in. G.G. stopped singing intermittently during his manic antics some times never finishing the song as The Murder Junkies played on not missing a beat.

“Gypsy Motherfucker” was highlighted by G.G. throwing the mic stand into the audience, shoving a female fan to the floor, a Microphone malfunction, and more of G.G.’s ranting this time over the microphone’s failure.

“What kind of dive bar piece of shit is this? Bunch of goddamn bullshit, can’t get a decent cocksucking mic, who do I have to kill to get decent gear  really? Cuz I’m about to find that fucker and murder them!” G.G. asked aggressively to no one in particular.

This served only to incite the crowd into further rowdiness as fans yelled out their support for G.G. with a growing angst and enthusiasm. G.G. got off stage for the umpteenth time to wander around the concert venue pounding beers along with cocktails he grabbed out of the fans hands as the microphone issue wasn’t being addressed. The Murder Junkies stood around loitering on the stage in some state of confusion as G.G. handled his complaint. Finally some rail thin greasy looking stage tech scrounged up a back up microphone from the bowels of the bar. G.G. snatched it from him immediately and plugged it in as if he was trying to murder the mic by stabbing it with the cord.

“Alright now we’re talking, what the fuck was that bullshit fucking unprofessional assholes” G.G. announced mumbling to the crowd as they became yet more frantic by the minute. You could feel the energy escalating, higher and higher as the adrenaline was flowing freely kicking in the intensity of the fight or flight principle. Tensions were so strained that at any moment it seemed the room could erupt in a full on, full blown riot of biblical proportions.

“Now we’re going to play is what the fuck I am a Son Of Evil!” G.G. snarled in a low growl of sorts. 15 seconds into the song the lights went out. Mike, Chuck and I were now standing side by side in total blackness, not darkness mind you I’m talking black like the finality of death itself. The only lights as I’ve mentioned were the stage lights which now had become enveloped along with everything else in the pitch black of the bar’s basement. The stunned crowd started chattering like a swarm of locusts as people tried to deduce what had happened or what had possible just happened to cause the black out and so suddenly at that. Several minutes passed as the questioning crowd grew more irritated than fearful over the total lack of light. The sounds of frustration started to ring out, the breaking of glass beer bottles, the loud and violent yelling ( “Lets fuck shit up!” “Fuck this shit!” “Burn this shithole down” “Fuck this I paid 5 bucks for a fucking ticket and I get this bullshit! “Hell fucking no!” are a few examples of what I heard.) and other various sounds of impending destruction all around us.

As the crowd wound itself up to a fevered pitch I had a reoccurring thought.

“If anything happens we’re proper fucked.”