Milk Tooth

Welcome to Today’s FYB Post featuring MILK TOOTH  Animated by Monica Cook and Music by Martín Capella. Monica Cook is a Painter, Animator, Sculptor and Mixed-Media Artist whose Portraits and Art Installations Focus on the Fantastical and Grotesque Actuality of Human Bodies.

Cook received her BFA from Savannah College of Art and Design . A residency at the School of Visual Arts brought her to New York in 2004. She Attended Skowhegan School of Painting and Sculpture, Maine and is a 2018 fellow of Urban Glass Studio, Brooklyn, NY.

Description: The Dementedly Deranged Dreams of the Damned as They Slumber in Insanity.

It is What it is,

Presented By Les Sober

BELIAL’S DREAM

Welcome to Today’s FYB Post Belial’s Dream (2017) Directed By Robert Morgan who also Wrote the Screen Play. Belial’s Dream was Originally a Short Film Commissioned for Arrow Films’ Blu Ray Release of Frank Henenlotter’s  Movie Basket Case.

                   

For Those Who May be Unaware Basket Case is the 1982 Cult Slasher Horror Classic Directed by Frank Henenlotter and Produced by Edgar Levins. To Sum Up Basket Case in a Nutshell Duane and His Extremely Deformed and Psychotic Conjoined Twin Be are Surgically Separated as Kids. Duane carries  Belial around NYC in a Locked Wicker Picnic Basket as the Twins seek Revenge on the Doctor’s that Separated Them. I HIGHLY Recommend You definitely should check out the movie Basket Case as it is in at Least My Humble Opinion a True Horror Classic.

                   

So When I heard of this Video I was instantly interested because I love Fan Fiction Projects. It’s Insanely Entertaining seeing People’s Interpretations come to Life and become an Extenuation of the Movie Itself. Thusly when I saw the Title of the Video the first thing I thought to myself was that’s a Kickass Concept, and I wonder what a Creature as Demented and Deadly as Belial actually Dreams About? Could Belial dreaming of  Rainbows and Bunny Rabbits during His Psychotic Slumber? Yeah I don’t fucking Think So.

Enjoy.

Thanks For Watching,

   Presented By Les Sober  

FYB’S Fucked Up Friday Film: COMBAT SHOCK!

FYB is Psyched to Present this Fucked Up Friday Film COMBAT SHOCK!! Combat Shock is a Cult Classic War Drama Written, Produced, and Directed by Buddy Giovinazzo and Starring His Brother Rick GioVinazzo. Combat Shock was Released in 1986 to Mixed Negative and Critical Reviews with the Acceptation of a Small Cult Following of Fans, and is Distributed by None Other then Indie Film Icon  TROMA ENTERTAINMENT!

           

“Filled to the brim with Nerve-Shredding Nihilism, Total Despair, and a Take No Prisoners Attitude…Combat Shock is one of the Bleakest Films you’ll ever have the chance to see.” – Kurt Dahlke (DVD Talk)

“Combat Shock is Dismal and Depressing, and in its Nerve-Wracking Realism it makes Zero Excuses for the Establishment and its Indifference.” – Film Threat

“But this Downer Drama…might be Too Much Horror for the viewer to take without any light moments.”- Dennis Schwartz (Ozus’ World Movie Reviews)

           

Brief Pot Summer: Set in Staten Island Combat Shock follows Unemployed Vietnam Vet and Prisoner of War Frankie. Frankie who suffers from a Severe Case of PTSD lives in Complete Poverty in a Squalid Apartment with His Pregnant Nagging Wife and DEFORMED BABY Boy. Frankie is convinced the reason for His Son being a Deformed Mutant is due to the Fact He was Exposed to the CHEMICAL WEAPON AGENT ORANGE while serving His Country in Vietnam. Surround by the Depravity of Urban Life and Crime Frankie’s Sanity Starts to Slip. Frankie’s inability to find gainful Employment fuel’s His DEADLY DOWNWARD SPIRAL into Insanity, Murder,  Petty Crime, and Death! Enjoy.

We Hope You Enjoyed this Demented Tale of Destitution and Madness as Much as We Did.

Thanks for Watching,

  Presented By Les Sober

Malice The Band That Almost Killed Us All Part 6

April 15th: Malice arrived at their suite at the Hard Rock Casino in Mackinaw Michigan (which back in the infamous 80’s was considered on the same creative social scale as NYC or LA.), and waited for their newly assigned opening act by their record label Razorback Records.

While they waited Malice free based a Kilo of 91% pure uncut Columbian Fish Scale while simultaneously  consuming 15 cases of beer, 19 bottles of Whisky, and an ounce and a half of PCP Laced Mushrooms, and ate 7 sheets of Acid (because waiting is boring so why not party your fucking face off they figured.) Plus the bands Lawyer TR McCoy and their Manager Harold Slickmann  had instructed the Band to DO NOTHING while they worked out the issues with the Band’s current Record Label Razorback Records.

As for Razorback they needed to put a tour deal together fast as fuck. Razorback Due to the  current disputes with Malice over creative control had lead abrupt cancellation of the remaining  Tour leaving them in the lurch like a motherfucker. They had to finish out as many of the original Tour dates as humanly possible to avoid backlash from pissed off Malice Fans.

Now due to all the drama Razorback was unhappy with Malice and that  played a part in their decision to hire The Assholes.The Assholes were at the opposite side of the spectrum from Malice.

Malice was a Glam Metal Band used to the luxurious life in LA being fawned over by press and fans alike for several months and had forgotten their entire lives previous to being famous. This I think most people can agree the massively exprbinte and copious amounts of Narcotics combined with Severe Alcoholism was/is to blame for the Band’s Unique Amnesia.

The Assholes on the other hand were a Trio from the Shitty Streets of the Shittiest Slums in Swansea Wales’s poverty stricken Industrial District. They grew up broke as fuck with Father’s that slaved away in the Various Factories or Sold Drugs. They had Mother’s that Worked 3 jobs cooking and cleaning (for the elite assholes living a life of splendor in the Huge Mansion’s in the Country) or Turning to Prostitution, Drink, and Drugs.

The only issue was The Assholes were currently on a Tour of their own with their fellow band The Squatters who hailed from Leeds and had similar backgrounds as the members of The Assholes. Not to mention the group’s singers met in the drunk tank one St. Paddy’s day after grossly over indulging in an obscene display of Alcohol throughout the day.

For this particular Tour The Assholes and The Squatters had combined both bands into one collective group they were calling The Asshole Squatters.

This lead Razorback to bend over backwards and take it in the preverbal metaphorical ass to put together. First Razorback had to hire The Asshole Squatters (not just the Assholes by themselves) because their management claimed it would be easier to promote the new 2 week Tour since two thirds of the audience already recognized the name.

Second Razorback would have to Pay the Appearance fee for The Assholes, The Squatters, and The Asshole Squatters as each group would be billing them separately. Razorback would also be financially responsible for their other expenses such as Travel, Room and Board. The Assholes also demanded that Razorback reimburse everyone involved in/with the last two weeks of the Asshole Squatters Tour that would be left ass out in lieu of The Assholes embarking on the new Malice Tour.

Razorback not having a pot to piss in or a window to throw it out of had to agree to any and all conditions set forth by The Assholes or The Squatters. In the end the tiny new 2 week tour cost Razorback $12.3 Million in extra expenses.

April 16th: Malice had a pre tour meeting where they met The Asshole Squatters for the 1st time over Cocktails at the exclusive Club Pretentious. The meeting was a short one. The Members of The Asshole Squatters  spent most of their time chugging pints of Guinness, doing Irish Car Bombs, Rough Housing, Head Butting one another in some Bizarrely Violent Drinking Game (which they themselves had created just a couple of weeks ago while on a brilliant bender.)

Malice sat back drinking Bottomless Hurricanes (with Mescal on the side) watching their new opening act getting Raging Alcoholic Type Drunk, and snorting massive rails of Cocaine off a gaggle of clamoring wannabe Groupie’s Tits.

The 2 Bands barely spoke to each other and as for The Asshole Squatters they seemed to be mocking Malice throughout the entire ordeal. It was hard for Malice to determine if the Asshole Squatters were indeed mocking the shit out of them or was this the classic absurd comedic Wit the British were known for.

Troubled by the shitty meeting Malice’s manager Harold Slickmann sat down to discuss the matter with The Asshole Squatters Manager Sly Slapper over diner (at The Lux Barroom and Fine Eatery mind you). Slapper’s take on the situation was it was just a case of “Clashing Ego’s”and it would be no problem at all. He assured Slickmann that the Tour would be nothing less than copacetic once the Band’s Ego Issues calmed down.

This was a boldfaced lie and Slapper the slippery shit was well aware.

April 17th: To insure there wouldn’t be any further issues before the start of the tour the following day each Band’s Manager spiked ALL the Band Members mandatory morning Bloody Mary’s (which were made with 191 proof Grain Alcohol or as its more commonly known Moonshine) with a heavy dose of Horse Tranquilizers .The intensity of the Moonshine did a wonderfully brilliant job at disguising the foul taste of the ground up Horse Tranquilizers.

This effectively rendered both groups unconscious for 18 hours straight.

When the time came the Band’s Personal Medical Team would hit them with a Epinephrine  Shot via an Epi Pen, and BAM everyones awake, on their feet, and energetic like a Rocket Shot up their Ass.

April 18th: It was around 11 am when the Bands began to board their respective Tour Buses each suffering from a serious Horse Tranquilizer Hangover. It wasn’t until well past Noon that the Tour was finally on the road. The first show was in Saugatuck Michigan at the Tubular Theater.

Before the show even started the problems began. When Malice arrived at the Tubular Theater they were met the first problem head on. The members of The Squatters being arrested by Immigration Officers. Malice’s managed Harold Slickmann quickly jumped of the tour bus and made a mad scramble words The Squatters manager Sly Slapper.

According to Slapper the band was being detained and deported back to England to stand trial. The Squatters were charged with 117 counts of Vandalism, 91 counts of Destruction of Private Property,  88 counts of Destruction of Public Property, 351 counts of Public Drunkenness, 57 counts of Urinating in Public, 22 counts of Defecating  in Public, 117 counts of Breaking and Entering (The band had a issue with breaking into Liquor Stores after closing time in search of yet more Booze), 144 counts of Public Nudity, and 121 counts of Indecent Exposure (The band also had an issue with having sex with Fans/Groupies in Public).

To make a shitty situation even shittier the Fans(who had been waiting for 16 hours straight) out front for the doors to open were well aware of what was going on, and they were getting more riled by the minute as they watched one of the bands they came to see being arrested at the concert venue.

Malice who had extensive experience dealing with amped up and angry Fans from some disastrous concerts of their own. They immediately put a plan into action as the inevitable Riot was building rapidly. Malice gathered up their instruments and amps aboard their tour bus, called in a massive Beer Order with a local Beer Warehouse a few blocks from the show, and lastly they grabbed a duffle bag containing 5 kilos (11 pounds) of Pure uncut Bolivian Blow.

The scene outside had gotten savage as the Show Promoter had already called in the Cops. Malice Fans were pissed off at the Asshole Squatter Fans for fucking up the show, The Squatters Fans were enraged that the Band was being Arrested, The Assholes were angry about everything in general, and all the Fans were mad the Police had been called.

The high level of surging emotions had given way to pushing, shoving, insults, violent threats, minor vandalism, and the start of empty Beer bottles being thrown around in random response to the current state of affairs. The Police had called in back up and as Malice got ready to put their plan into action the SWAT Team rolled in.

Malice slowly opened the Emergency Hatch located on the roof of the Bus and crawled out onto the Bus’s Roof. They then had their Roadies hand up their instruments followed by their Amps. Malice also had their Roadies hand up several Confetti Cannons they had brought on tour. Once on top of the bus with their gear and supplies Malice started to assemble their standard stage set up transforming the Bus’s Roof into an impromptu stage.

As soon as the set up was complete Malice started playing Misfit Covers as loud as their equipment would allow. This sudden musical onslaught brought the chaos and conflict to a stand still as the stunned Fans and Police Officers alike looked on.

Malice capitalized on this by announcing that this was now a FREE Parking Lot Show and then fired off their Confetti Cannons that they had loaded up with the Cocaine. A giant white wave exploded over the Audience with a lingering cloud behind it as everyone there went fucking insane.

The Police were just happy to have the Riot haunted so they let Malice slide on the whole Huge Cocaine Cloud (and assorted shit like that) just as long as they got the fuck out of town immediately following the Parking Lot Show.

And thats exactly what they did.

April 19th: Malice was contacted first thing in the morning by their current Record Label Razorback Records. Razorback was absolutely irate about the previous night’s show which was also the first show of a ad-libbed Tour.

Malice had their Lawyer TR McCoy step in as mediator on their behalf. McCoy stated it was fucking insane that Razorback was even angry to begin with. McCoy went on to say that Malice had nothing to due with the Show going to shit. Malice wasn’t the ones being arrested, their Fans weren’t the ones pissed off by the arrest, and if it wasn’t for Malice’s quick thinking under extreme pressure in an emergency situation had in fact ENDED the Riot.

Razorback being complete and total  bitches switched the topic of the conversation to what they were going to do moving forward post riot. The tour they said would continue but because of last night fiasco being blasted across national television had been forced “due to circumstances beyond their control” cancel that nights show.

Razorback sited that the change was do due to “Unforeseen Expenses” complied with the exorbitant expenses used for putting the current Tour together in the first place was putting Razorback on the verge of filing Chapter 11 Bankruptcy. And because of the severity of the situation would require Razorback’s full and undecided attention putting the Tour on the back burner for a while.

You see the unforeseen expenses Razorback incurred were from a legal dispute between Razorback and The Squatters.

The Squatters claimed that since their arrest, and subsequent deportation was due to charges that were racked up from their previous Tour. And since the charges were not related to this Tour they deserved to be paid every single cent agreed upon by Razorback and The Squatters per their contract.

Razorback had to hire a full on legal defense team of Lawyers to handle the impending Lawsuit and their Counter Suite. According to their Lawyers Razorback considered their contract null and void as soon as The Squatters violated the terms, and thus were owed jack shit as far as they were concerned.

Malice’s Lawyer TR McCoy sighted a “Conflict of Interest” on Razorback’s part as far as Malice was concerned, and was planning to take them to court over it as soon as he got back to his office. Unbeknownst to Razorback at the time was that McCoy was already well at work putting a lawsuit against Razorback on Malice’s behalf. Malice was ultimately looking to terminate their contract with Razorback Records by any means needed.

April 20th: Malice curent Unnamed Tour with the Assholes was scheduled to play The Wicked Room in Grand Marais Minnesota. Once they Bands showed up there was an empty parking lot and a massive pile of what appeared to be charred bricks mixed with assorted rubble. There was a note from the Wicked Room’s Staff addressing the issue taped to a bottle of Croatian Rum that was standing atop the pile of aforementioned bricks and rubble.

The Note Read: To Whomever it may concern,

We the loyal staff of the Wicked Room have the misfortune to inform you that the Owner of the Club (Dolt Devonshire) ruptured a gas line in the basement, and blew the Club sky high while attempting to commit Insurance Fraud.  So Sorry We know this Sucks.

With the nights Fans only moments away from the defunct venue the Bands had to figure out what the fuck to do. Neither Band wanted to relive the previous nights shit show nor could they afford any more shitty press.

Then The Assholes Singer “Bloody” Sod Bollocks announced that since Malice had saved their asses last night that tonight they would be repaying the favor. In all actuality The Asshole could have give 2 shits about Malice they just thought it was a proper venue to showcase their Hardcore Thrash Punk music. That combined with the fact The Assholes were chomping at the bit to play to help vent some of their built up frustrations.

Malice decided to take their Fans in attendance that were pissed off by the fact Malice wasn’t playing to an all night drinking binge at a local Dive Bar and Shitty Strip Club Called  Beef Curtains.

Even though The Assholes acted like they didn’t give a flying fuck what Malice did they took Malice’s Stripper Boozelooza as slap in the face. They thought if Malice and their sniveling Fans didn’t care about the show well fuck them and fuck that.

April 21st: Malice spent the day at the Hotel Spa recuperating from their legendary hangovers, and The Assholes spent the day Drinking and Drugging like no tomorrow.

The 2 bands met up at that nights Venue The Radical in Bayfield Wisconsin. The tension was tenable as the Bands circled one another lingering like fucking Vultures waiting for their meal to finally die.

The Assholes went on first and played their first two albums (“Fuck You and The Finger” and “The Toss Pot Teachers”)  in their interiority.  The Band then went on to play 3 separate encores each consisting of 3-5 songs each. The Asshole’s finally played their closing song their current hit “Fuck Me Dead”. By then they had cut into Malice’s set by a good 45 minutes or so.

Malice was furious as they took the stage 45 minutes late. Malice used the show to mainly test out the audience’s reacting to some new songs they were coming up with for the New Album they planned to record as soon as they possibly could. Malice was sure to pepper the New Shit with some of their Big Hits to keep the Fans excited.

All in all the audience response was overwhelmingly positive as far as the new material was concerned. In fact Malice’s new Power Ballad “I’d Never Call You A Bitch Baby” garnered such a response from the Fan’s that they decided later that night that it would be the first single released.

Malice celebrated all night and into the following day until that nights show.

April 22nd: When Malice’s Tour bus rolled into The Spectrum in Elkader Iowa to find that The Assholes had already arrived and were in the middle of their soundcheck.

Malice walked into their dressing room to find it Trashed, Thrashed and Totally fucked. It smelled like a Truck Stop Bathroom mixed with a well used Locker Room. Every single piece of furniture (including the trash can) was busted and broken to pieces. The Catering table was upside down which was ok because it looked as if someone shit on the food platters anyway. Not to mention their toilet bowl was on fire reminiscent of a childhood campfire.

Malice’s blood boiled as they had fucking had it with The Assholes and their shittier than shitty bullshit. Luckily before all hell broke loose Malice’s manager Harold Slickmann arrived in the nick of time to prevent a brewing Shit Storm from becoming a Category 5 Shitnado. Slickmann swore up and down that if Malice played the show he would put and end to The Assholes dilemma.

Malice begrudgingly took the stage and the crowd went buck-fucking-wild sending Malice’s spirits soaring. The show was going exceptionally well until “Bloody” Sod Bollocks came staggering drunk as 10 Sailors (on well deserved Shore Leave) combined. Bollocks slowly made his way to the side of the stage just as Malice launched into (what they believed on audience response) was their new upcoming single “I’d Never Call You A Bitch Baby”

Once Malice got to the chorus of “…I’d never call you a bitch Baby” Bollocks armed with a Military Grade Bullhorn would yell at the top of his intoxicated lungs “Because I call you a cunt!”

Malice’s more than temperamental frontman Izzy Sane let Bollocks get away with his rude interjection twice but not a third time. Sane dropped his microphone, picked up the stand, swung it up over his head with both hands, and bolted to wards Bollocks like a Meth addicted Rodeo Bull. Once Sane reached Bollocks Sane brought the Heavy Metal Base of the microphone stand down on Bollock’s head like a Sledge Hammer.

The base of the Microphone stand came crashing down and slammed into Bollock’s head right above his left eye shattering his orbital socket, severely fracturing his cheek bone, and sending his eye shooting out into the audience. Blood started to pour out of Bollock’s freshly busted open head like a deep red river. Bollocks swayed for a minute before crumpling like a piece of paper to the ground.

Bollocks was unconscious, unresponsive, and there was blood now spurting out of the large gash in his head like a mini 18 inch fountain. One of the Stage crew sprinted to the phone and called 911. By the time the EMTs had arrived Bollocks was in the throws of full blown shock. The EMTs opted due to the severity of the injury and the patient’s quickly declining condition to to fly Bollocks to the nearest head trauma unit a Trama Hawk.

On the up side Malice’s Fans were so supportive they cheered Sane as they Fans were aware of the tenuous rivalry between the two touring Bands. Unfortunately for Sane the police were not so easy going and arrested Sane for Assault, Assault with a Deadly Weapon, and Attempted Murder.

The night ended with Malice on their way back to their hotel, and their manager on his way back to the Band’s Lawyer’s Office double time.

April 23rd: Finally the Tour to end all Tours had ended as doomed from the start. The Assholes had flown back home to England as soon as Bollocks was stable enough to travel.

Malice wanted to circle the wagons so they bought a 56 room Mansion located on 66 acres (for an estimated $151 Million) in the Hollywood Hills the day they got back in town. The Band figured it actually made the most sense since until then non of the Band members past or presently..

Malice members lived in hotels or on the Tour bus while on Tour or Traveling. In their down time Davie Scum was on the worlds longest Couch Surfing Run in known History, and Izzy Sane lived with his Girlfriend (and Malice Bassist) Maxi Padd in her tiny one room Studio Apartment. Rock Harder lived in a Shitty Hellhole of a Motel down by the by the Airport called The Wayfarers located between The Drunkard Tavern and Sparkles Strip Club.

It didn’t take long for Malice to move in as the members owned next to nothing outside of their cars. Meanwhile Harold Slickmann had sold his house prior to the last Tour and went and bought a $4.5 Million Luxury Executive RV. Slickmann parked his newly acquired RV in Malice’s extensive Drive Way where he planned to live indefinitely.

The Band’s Lawyer TR McCoy opted to sell his Penthouse so he could move into Malice’s new 10,000 square foot Guest House. McCoy felt with the forth coming barrage of legal issues that were about to defend upon the Band like The Anti-Christ surfing on an Avalanche.

The Band settled on the name “The House of Malice” as the official name of their Mansion Estate and set to work coming up with customized additions to the Mansion (example: Replacing the Water in the 100s of Fountains with Armand de Brigand Brut Gold (Ace of Spades) which cost $6,500 per 6 Liter Bottle.)

April 24th: Malice received an intensely aggressive call from their Record Label Razorback Records demanding a meeting immediately in their head office in the Van Nuys neighborhood. Malice piled into the Band’s 67 foot long custom Limo along with Slickmann and McCoy in tow.

When they arrived Malice was marched directly into Brock Rock’s office. Brock Rock who was the Owner and CEO of Razorback at the time. No sooner had Malice sat down Rock came charging in infuriated beyond belief with Razorbacks Legal Team right behind him.

Razorback started the meeting guns blazing. They were basically trying to blame all their costly fuck ups on Malice so they could sue them for reimbursement.

McCoy wasn’t having any of Razorback’s spastic bullshit fireworks. McCoy told Razorback that by neglecting their client Malice’s best interests by effectively booking substandard Opening Act(s) violated the terms and conditions of Malice’s Contract.

That combined with they fact that the failed second leg of the Mini Tour had totally tapped Razorback’s Bank Accounts so they wouldn’t be able to financially survive a long ass court battle before going completely bankrupt.

Razorback ended up releasing Malice from their contract as long as all disputes between both parties were henceforth Null and Void.

Malice was now a free Agent as it were.

McCoy had a glass of 70 year old Scotch.

Slickmann immediately started fielding offers from Competing Record Labels starting a furious Bidding War.

As for Razorback they did in fact end up going bankrupt, and Brock Rock was arrested for Embezzlement, Fraud, Insider Trading, Tax Evasion, and Aggravated Acts of Beastiality.

April 25th: Malice spent the day whole up in their Mansion reviewing various and plentiful possible future contracts from damn near every record label executive there was.

McCoy and Slickmann riddled down the Contracts to a Fianl Top 3 before involving the Band.

The 3 Top Contenders were Guillotine Records a relatively new up and coming Record Label that was racking up Big Name and Unknown Acts left and right.

Another was from Spittle Sound Studios owned by D-Rockafeller Recordings Inc. who was looking to expand their catalog and appeal by breaking into new musical markets. They were basically a Major Brand Record Label in Indi Clothing so to speak.

The Final Contract was from an International Record Label called The Nation of Noise Records (who’s HQ was located in International Waters on a retired Cruise Ship). They had been around for years, but never signed any act anyone would give two shits about like the Country Disco Jug Band Legend Howie “Pork Knuckle ” Pounder.

After serious deliberation along with a crate of Whisky, 26 Cartons of Cigarettes, a Pound of High Grad Marijuana, and 8 sheets of High Test Acid on  Guillotine Records signing a 5 Album Exclusive Deal.

Malice celebrated the Deal by Buying Ferraris and the hosting a Demolition Derby Party that went late into the night, and the Police only showed up 41 times for Noise Complaints and all that horseshit.

A good night was had by all.

April 26th: With a slew of new songs and material Malice and in great spirits ,and (after finally ending their troubled relationship with Razorback Records) having just signed a sweet ass deal with Guillotine Records headed into the Studio to get working on their new album.

Tragedy struck the Band once again while wailing on a wild Guitar Solo for the song “Sweet Heart, Wicked Soul” Davie Scum played so fast that his guitar caught on fire quickly consuming Scum in the blaze. Considering how flammable the cheap Spandex adorned with Chinese Dragons, and the entire bottle of Aqua Net Scum used to style his hair it was no real wonder why he combusted so quickly.

Luckily for Malice they were finished recording their new new album titled “Finding Heaven In Hell” so all that was left to be done was Editing the Recorded songs.

Malice had to pay the $17,890 cleaning bill for the Studio to clean off all the smoke stains and little BBQed pieces of flesh from the walls, floors and ceiling (Not to mention they had to Neutralize the Oder of a still smoldering  Human Body)

When Slickmann heard the news he grabbed the extremely large 3 ring binder filled with Musicians Resumes he had created due to the fact Malice Members had a bad habit of dying, and granted a couple left to purse other pursuits.

By the end of the day Malice had completed their new 19 song album, edited it, lost their Guitarist to a freak guitar playing accident, and interview the top replacement Guitarists.

That night around 4 in the morning suffering from a drug fueled insomnia Malice selected their new Guitarist Stevie “The Shill” Stevenson who had played with such acts as Murder in Minutes, Killing Trolls, The Lot Lizards, and the Legendary Black Metal Band Nordic Slaughter.

April 27th: While waiting for their new guitarist Stevie “The Shill” Stevenson’s to arrive at the studio (he was flying in from his Private Island Shill Key in the Florida Keys that afternoon) Malice realized that they in fact not only recorded their new album in one day, BUT they had 87 other songs on tap.

With this revelation Malice felt they had only one choice, and that was to release a DOUBLE ALBUM. Malice then spent the morning listening to all 87 songs before selecting 22 songs that would make up the second Album titled “The Hardships of Hell”.

By the time Stevenson made his appearance at the studio Malice realized while now that the Double Album they had recorded 41 brand new tracks they still had 46 additional songs.

So Malice thought about it awhile before coming up with the idea of releasing a rare TRIPLE ALBUM, and set out selecting which of the leftover 46 songs they would use. They came together and agreed on this Albums title would be “From Heaven To Hell and Back Again” consisting of 17 songs and 4 singles. The singles the Band decided upon were “Into The Night We Go”, “After Party Freak Show”, “Dive Bar Babes”, and “Lets Get Laid”

When Stevenson arrived he pointed out that Malice still had 29 songs left at their disposal, and suggested Malice release the World’s 1st QUADRUPLE ALBUM. And of course Malice lost their fucking minds over the idea. In return for such an awesome idea Malice rerecorded the last set of 29 songs with Stevenson so he’d be credited for playing on the Album.

Malice even let Stevenson pick the name of the 4th Album and he dubbed it “Entering Heaven/Exiting Hell” sticking with the ongoing theme of Paradise and the Pit.

Malice partied into the early hours of the morning doing Actual Tequila Shots (that is they drew up Tequila in 6cc syringes and injected it directly into their veins.)

April 28th: Malice’s Quadruple Album was an instant success as rabid Fans bought out Record Store after Record Store across the country. The Media Buzz was deafening as Malice’s Phones where rigging off the hook like a real motherfucker. Reporters of kinds camped out in front of Malice’s Mansion Estate gates leading Hardcore Fans to follow suit creating a sizable tent city situation.

Malice spent the entire day lounging around Mtv hanging out, day drinking and acting as impromptu Guest VJs (not to mention banging groupies during commercial breaks or when a video was airing)

By the end of the Business Day Malice’s World Wide Album Sales totaled an estimated $976 Million. The one day success gave way to the rumor that The Chairman of Forbes reportedly shit his pants when he saw the numbers the following morning.

April 29th: Tickets for Malice’s upcoming Tour to promote their Quadruple Album went on Sale at Noon Sharp and 6 seconds later every single American Date of the Malice was completely Sold Out. Which totally blew the tits off of Guinness Book of World Records.

Now Malice was at task scheduling Shows for the subsequent following World Wide Tour. For inspiration the Band went to their Restaurant Take Out Menu drawer. After a few minutes skimming over the large collection of Take Out Menus Malice had set up dates in Thailand, China, India, Mexico,Italy, and Japan.

Malice used the rest of their spare time to practice relentlessly with their new guitarist Stevie “The Shill” Stevenson, and over indulging in Hedonistic pursuits.

April 30th: Malice went to down customizing their recently acquired Mansion and Estate. First they had a 4 operate Helicopter Landing Pads one for each of them. Next they turned 2 of their 66 archers into a Mobile Home park loaded with Triple Wides for their Friends, Roadies, Mansion Staff, or as a crash pad for party guests who were to shitfaced to drive.

Izzy was a devoted movie fan so he used 12 archers to build his own Independent Movie Studio he called Ponder This Pictures and Perverse Productions. The Studio was intended to be a stage for struggling independent film makers to help them achieve their dreams. In the end though it sat virtually unused accept for the filming of some extremely high end Homemade Sex Tapes/Full Blown Porno Flix.

Stevie took 5 archers and build a pond so that he could stock it with some of his favorite fish like Alligator Gar, Giant Snakeheads, Electric Eels, Wells Catfish, and Giant Carp just for starters.

Rock used 7 archers to build his own Amusement and Water Park complete with the motto which was  “Neverland is for PopStars”.

Maxi used 1 achar to build a massive Temperature Controlled Greenhouse with a high tech Sprinkler System. She billed as an attempt at Sod Farming. She also took another 4 to built a Small Farm where she had several Cows. At night Maxi would let the Cows graze in the Greenhouse where inevitable Cows being Cow’s would crap all over the fucking place. She claimed it was a trade off of Free Cow Feed and Free Fresh Organic Manure. In reality the set up was designed to be the perfect growing grounds for Magic Mushrooms (or Shrooms for shirt).

  

Other custom additions included seeing up a professional fire work rig on the roof, indoor and out door shooting ranges, ATV Trails, Skate Park, Pirate Ham Radio Station, NASA Flight Simulator, Hi Li Court, installing water fountains rigged with Goldschlager (with its original Alcohol Content of 53.5% or 107 Proof), A Reptile House, 30 Run Dog Kennel, Racing Track, Driving Range (because hitting the shit out of the ball is the only fucking fun part of Golf so fuck the bullshit), Wave Pool, Bocce Ball Court, and 24k Toilets/Urinals encrusted in Gem Stones (“Crapping like a King” as their manager Harold Slickmann would say.

  

April 31st: Malice dedicated the day to preparing for the “Salvation and Damnation Tour” by rehydrating with IV Fluids, Laid off the Narcotics in favor of just Smoking Weed, Only Drank Light Beer, Getting 8 hour massages with 45 minute “Happy Endings”, Meditating, forgoing Sex for Blow Jobs, and Blood Doping.

MALICE: THE BAND THAT ALMOST KILLED US ALL PART 7 COMING SOON

Thanks for Reading,

Les Sober 

Life Imitates Art as Art Imitates Life part 2: Mr. Brainwash, Banksy, and Authentic Art

For those of you just tuning in this is part two of a piece I’m writing expressing my feelings on the subject of Actual Artist with Original ideas/concepts versus Greedy Talentless Lame Copy Cat Hacks. It goes without saying that wherever their is a Successful Artist with Original Ideas and Creative Concepts there will be a small army of wannabe’s and knock off’s trying to make money from SOMEONE ELSES Intellectual Property.

I have nothing but respect for Original Artists, and Their work even if I personally don’t like it. I believe in giving credit whenever and wherever its due.

Now for the talentless twats that swarm around Original Artists leeching off Their Creativity by either riding on their coat tails, jumping on the TREND(Y) Bandwagon or most of all their trying to Capitalize in any way they can out/off of it. They’re either trying to emulate and imitate the original idea and Art. Either that or Their trying Steal it some how for personal profit in a Pompously Presumptuous Gallery (to a bunch of Wealthy Elite Art Collecting ASSHOLES) or hawk it Online like some sort of Digital Asshole.

My point/argument continues here after stating in the prior post that Tesla was a Lone Genius, and Edison was a Con artist who got famous of his employee’s ideas/inventions. That was the History Portion, And now for the repeating part.

(Just a reminder I am recounting/retelling a EXTREMELY CONDENSED VERSION to save time by sticking as close as I can to my point. I fully encourage Reader’s to watch the Documentary Film “Exist Through The Gift Shop” which provides an in-depth and detailed look at all of the information on the subject of the personal history between Mr. Brainwash and Banksy. I would also at this time like to also recommend the Documentary “Banksy Does New York” for a most informative look into His Work and Personal Philosophies) Bottomline I’m not a Biographer.

Its truly have to give an immense deal of credit to Banksy who got his start on the Street of London, who’s work now has appeared on the streets of various countries around the globe, who’s work has been hang shied by Wealthy Gallery Owners and the like, and the Unscrupulous acquisitions of pieces of Banksy’s Artwork stolen strait off of the streets themselves, has had his work Valued from Hundreds of Thousands to a Million Plus, and yet no one knows anything personal details about Him. Banksy has become notorious for vehemently protecting his true Identity and to His credit its worked amazingly, in fact its worked perfectly. This is all anyone knows of Banksy in the Public Forum that He is Male, White, From England, and is the biggest name in Street Art/ Graffiti the world has know at this point.

Yet the popular misconception is because Banksy’s art sells for such massive amounts of money that he is insanely rich and has tons of cash coming in on a daily basis. A few reason for this are He has to compensate  His Team comprised only of the most trusted inner circle, Pay out a exorbitant amount of money in the quest to stay Anonymous, Travel, Supplies, He donates a good bit of money from selling some of his work to Charities (such as House The Homeless in NYC for example), and the simple fact that His work that is stolen off the Streets, and sold in High End Art Galleries which Banksy has absolutely nothing to do with thus he doesn’t make a dime. Banksy has stated his Art is for Everyone to enjoy and harshly condemned those who seek to confiscate his work and sell it in a high end gallery for personal profit. In fact Banksy shuns the Classic Art world for being more about being pretentious than about the actual Art.

Now while like Tesla(who had several assistants through out his career) Banksy has come to rely on the help of a few other people to help achieve his Artistic Goals/Ideas/Artistic Concepts are Banksy’s and Banksy’s alone. Point being Banksy’s crew work WITH HIM, NOT FOR HIM.

Bansky is known for the Social/Politically driven Art Work that provokes deeper thought when it comes to social ills or political plight. His work can be ironic, mocking, Anti-Authoritarian, but its all meant to promote understanding and peace among all of Humanity. His unofficial mascot seems to be the Rat which reappears frequently in Banksy’s Art. Later on in his career Banksy started to produce Art Installations (such as a blissful paradise housed in a dirty beat up Box Truck that drives around stopping periodically, and Video Pieces. Banksy has embraced Social Media/ Internet where he has a very forward, direct, and honest website (Bnaksy also has a Instagram and Twitter accounts.  Banksy is not just Original he’s insanely intelligent, beyond talented, Humble, Secretive, and Though Provoking Artist.

Meanwhile as far as Mr. Brainwash is concerned…….

I guess for sake of argument I’ll start at the beginning. Before He became Mr. Brainwash He was a regular guy named Thierry (Pronounced Terry) Guetta who had a serious camera OBC. Simply Thierry’s Mother died when he was 7, and this dramatic tragedy created Thierry’s life long obsession of Video Taping every single waking moment.

Thierry’s cousin was an up and coming Graffiti Artist in the Blossoming new world of Street Art who goes by Space Invader. Thierry started to follow and film Space Invader everywhere documenting his work along the way. Thierry ended up utterly in love with the up and coming graffiti Artists, and started following, assisting, and Filming them constantly.

In a once in a life time chance ( I mean its like winning the Lottery and then being struck by lighting.) Thierry’s cousin was hosting non other than the infamous Banksy who had already made a name for Himself. Thierry was allowed into Banksy’s inner circle even visiting the Illusive Artists Studio (Banksy’s Team found it odd and were very weary of Theirry). Thierry started going out at night with Banksy acting as a look out or extra pair of hands as Banksy put up new work.

A little later on the various Graffiti Artist drew Thierry’s non stop filming of them and their activities into question. The question was why the fuck was Thierry filming Them in the first place? Thierry had had NO PLAN for the endless hours of footage he had shot, and currently was shooting. So being rather put on the spot Thierry announced He was filming because he was making a Documentary on The Various Artists, and the birth of the Street Art fascination that was inadvertently legitimizing Graffiti as in fact Art.

Now thats all good and fine its what ended up happening next that pisses me off.

Banksy finally called Thierry out, and told him now was the time to release His Documentay because it was the essential backstory to the newly dubbed Street Art World. Thierry went to work sifting through countless bins of material as he worked feverishly to complete his so called Documentary. The Documentary was anything but. It was 90 minutes of seizure inducing, eye bleeding bullshit. It was just random images thrown together in a Manic Manner so it appeared like a 90 minute music video that escaped from MTV in the 1980’s and went absolutely insane.

Seeing the Documentary was a complete and utter failure Banksy formulated a plan to salvage the project. As Theirry idolized Banksy to the umpteenth degree Banksy got Thierry to let him borrow all of his footage. Banksy then recommended that Thierry head home, create some Art, and perhaps have a little show. Thierry took this to heart as an official mission assigned Him personally by His Idol Banksy.

Now while wasting time, content, and miles of Video Tape is a real shitty thing, and fucking up a project happens so while I’m pissed at this point in the story, the following part is what truly Enrages Me to NO END.

Thierry went home and the first fucking thing he does is rent a MASSIVE 5 story fucking warehouse for his upcoming show. Then Thierry (who accept for a few sporadic pieces (a picture of Him holding a camera) had never been an actual Graffiti Artist. Thierry then hires a legion of Millennial Graphic Artists to crank out REALLY CLICHE CRAP thats BLATANTLY a LAME attempt to IMITATE Banksy. Thierry has NO ACTUAL ARTISTIC CREATIVITY, TALENT OR SKILL.

Then Thierry gave him self the Moniker of Mr. Brainwash, and started to promote Himself and His upcoming show as if He was a legitimate long time, well know, and respected Graffiti Artist who was friends with all the Other now Big Name Graffiti Artists, and that He had the distinct honor in personally knowing Banksy. He used Banksy and Other Big Artists  to shamelessly Self Promote Himself FALSELY.

At this point Graffiti had been rebranded as Street Art as it had become popular in the Allegedly Fine Art World. And because of its new found trendiness provided the key to Thierry’s unwarranted success. Every Hipster, Trend Chaser, Pretentious Assholes, Fine Art Dealer, and Exclusive Art Gallery Owner wanted a piece of the Street Art Pie because by now Banksy Works had sold for up to and over a million dollars (which only serves to encourage unscrupulous Thieves) BOTTOM LINE Every Sucker and Presumptuous Asshole bought Thierry’s bullshit credentials and so called Street Credit hook, line, and fucking sinker.

In the end Thierry filled the gigantic rented warehouse with tons of Pathetic Graffiti Knock Off Bullshit Pieces conceived and done by one of his HIRED underlings, and presented them all as His own. Thierry fit right into the fake ass kissing world of Fine Art, Thierry could bullshit his ass off as Elitist Idiots ate it up ravenously like rabid Lemmings.

 

THE POINT OF THIS 2 PART POST is as follows.

There Unintelligent and Untalented ASSHOLES like Thomas Edison and Thierry aka Mr. Brainwash in the World that like so many other Con Artists STEAL other’s Intellectual Property, and then have the balls to claim it as Their own. THAT IS HORSE SHIT. Those people are fucking bottom dwelling leeches that act like Brainless Parasites feeding off Other’s Originality for their own fame/fortune.

Fuck Trends, Fuck Hipsters, Fuck Art Thieves, Fuck High End Art Galleries, Fuck Fine Art Dealers, Fuck Fakes, Fuck Wannabes, Fuck Mr. Brainwash, Fuck Edison, Fuck Scam Artists, Fuck Con Men, Fuck Unoriginality, Fuck Cliches, and Fuck the Fine Art Assholes.

Thanks for Reading,

Les Sober 

Last Voicemail Message from SpaceDog Transcribed by Les Sober

Welcome

It was an autumn night. The year 1994. I was 16. I remember this night for it was my first introduction to the ‘gay community’. It was my first night at a gay bar. The people I was with told I was at the ‘Little Roxy’ (in New Brunswick, NJ maybe?).

As I walked in, I took in the room. The first thing I noticed were the stares. The first thing I felt was the hand of an intoxicated man grabbing my ass. It was immediate uncomfortablity. I was offered a drink but I just wanted to get out. I did eventually.

We proceeded to go to Roxy in New York. I was in awe. At first I loved it, then it struck me as odd, then it struck me as love again. I noticed everybody being really gropey to one another. Then the people I was with (a much older sampling of men probably mostly over 40) all started kissing together in a circle. I, being in the city on their pursestrings, joined. It was all odd in the long run, then I was taken home, snuck in my window, and went on with my regular life.

Looking back at this specifically it just strikes me as odd how this group of friends would all get tongue twisted like that. I shouldn’t judge really, I’ve hooked up with a friend or two in my days but it was basically my first impression.

On my eighteenth birthday, I was ostracized by my closest gay friend for not wanting to go out to a club. I wanted to be around my straight friends and for this I was condemned and condoned.

‘Why would you want to be around straight people?’ You can’t get any cock with them!’, he viciously barked at me.

My simple reply was,’Life is not just about sex. It is about being around people that I enjoy the company of whether they are straight or gay.’ Sadly this wasn’t the only time I heard this from a fellow gay.

Prelude to a F*** OFF

Before I begin this section I just want to state that I have had fun at gay bars and clubs in the past. I have also had fun while being stranded in snow storms along the side of the road and have had fun while being searched by the police. I even have had fun with someone after suicide attempt. Does this make me sick and twisted? More then likely yes. I adapt to the cards I am dealt on a given occasion and try to make the best of things. We aren’t always dealt a great hand and even when we are there are infinite ways we can screw it up (and vice versa).

F*** OFF!!!!!!!!!!

I am completely tired of how gay people act as a whole. Sure as a ‘community’ we can band together and protest things like prop 8 which I am proud of, yet the remander of the time we tear one another apart.

I choose not to part of a ‘community’ wear all that is praised is vanity, clothing labels, and how many cocks we can suck. I choose not to be a part of something where self centeredness reigns queen supreme. Where narcassism is considered a positive attribute and altruism is a red flag for let’s take advantage of him. Where people not conforming to the majority are made to feel like a right wing nut job at an Obama rally.

And nearly fifteen years after my first experience with the ‘community’ I have realized nothing has changed. It is all just still a big meat market, devoid of morals, devoid of much more then what can you do for me now. I don’t really expect more and never have or will. It is what it is.

On a personal note, I have noticed that things such as honesty, whether about yourself or someone else is chopped down to an unacceptable level.

Nine times out of ten when I tell someone that I have epilepsy they suddenly look at me differently like I have eight legs or they want me to have a seizure like, ‘HERE SPARKY BARK SPARKY’ F*** SPARKY!!!

I tell them I think Britney Spears, Ashley Simpson, Miley Cyrus and their legion of doom can all go suck my cock and that I like a lot more rock music and that the music playing in this club makes me to shoot myself in the head, they are either personally affronted or think I literally want to shoot myself in the head. Like I’m gonna go out like Kurt Cobain or Layne Staley and off myself just because I listen to their music.

 

When someone asks my opinion, I do not sugar coat it. I tell it like it is. I do not hang in close surroundings with people I detest. People are so offended by bluntness and honesty because the truth hurts.

Would you rather be lied to all your life by people you think are your friends or would you rather be told the truth by your enemies? Lest we forget the old saying:, ‘Keep your friends close but your enemies even closer.’

A lot of people who portray themselves as genuine will stab you in the back in front of their friends. Some people will simply reveal their true colors over time.

Which is why I simply say F*** OFF to the ‘gay community’ and for those of you fed up as well, welcome to my gay revolution.

Old News in Music

On January 3, 1935 the New York Tribune wrote of blues musician Lead Belly’s coming to town as,

“Sweet singer of the swamp lands here to do a few tunes between murders”