Tag: official video

The Band PARTY CANNON

Welcome to Today’s FYB Post featuring the Official Videos for  “I BELIEVE DANI FILTH”, “Not Immediately Life Threatening”, and  “Weird, But Not Illegal” by the band Party Cannon along with a Live Performance from Bloodiest 2022. PARY CANNON is a Brutal Death Metal Band (with a Serious Goregrind Influence) from Dunfermline, Fife, Scotland, United Kingdom that was Formed in 2010. The Band refers to Their Musical Style simply as “Party Slam”which is an Extreme Sub Genre of Death Metal that is Defined as the Following. Some Key Elements of Slam Music are Slow and Punishing Guitar Riffs along with Aggressive Drumming Utilizing Double Kick/Blast Beat Techniques are the Primary Element of Slam. Slam Vocals (like the Music) are a More Extreme Version of Death Metal Vocals combining Deep, Palm Muting, Guttural Growls, Tremolo Picking, Harsh Screaming, Low Tuned Guitars, and Low Pitched Howls are a Staple of Slam Music that Enhance the Overall Brutality of the Music Itself.

Lyrical Themes of Brutal Death Metal and PARTY CANNON include:

  • Slasher Films
  • Obscene amount of Violence
  • Political Conflict
  • Religion (Focusing on Satanism)
  • Science Fiction
  • Occultism
  • True Crime
  • Philosophy
  • Destruction and Decay of the Earth
  • War
  • Corporate Control
  • Mysticism
  • Lovecraftian Horror
  • Mythology
  • Theology

(*PARTY CANNON’s Other Lyrical Themes: Women and Partying)

Also as Far as Brutal Death Metal Lyrics are concerned the Depictions of Horrific Violence may be Elaborate on the Details of Extreme Acts:

  • Detailed Depictions Violence and Gore
  • Delirium
  • Psychopathy
  • Mutilation
  • Mutation
  • Exorcism/Possession
  • Torture
  • Rape
  • Cannibalism
  • Necrophilia
  • Murder/Homicide

In 2013 PARTY CANNON was signed to Autopsy Records, but They only Released One Ep Titled “Partied In Half” while with Autopsy Records. The Band is Currently Signed with The American Label Gore House Productions who Specialize in Brutal Death Metal Bands. To Date PARTY CANNON has Recorded and Released The Following:

  • Albums – “Bong Hit Hospitalization (2015), “Volumes Of Vomit” (2022), and “Injuries Are Inevitable (2024)
  • Eps – ” PARTY CANNON!” (2007), “Partied In Half” (2013), “Perverse Party Platter’ (2017), and “Nauseating And Unpalatable” (2021)
  • A Gore House Compilation CD  “Cannons Of Gore Soaked, Blood Drenched, Parasitic Sick along with the Bands Parasitic Ejactulation, Gorevent, and Bloodscribe.
  • Singles: “We Prefer The Term Living Impaired (2010) and “Weird,But not Illegal” (2024)
  • V/A Compilations – “Necrolust Vol. IV (2013), MORGUL ( a Scottish Metal Compilation in 2013), and ‘Intestinal Purge” (2022)
  • Additional Releases – “Party Promo (2012)

PARTY CANNON’s Current Line Up:

  • Stony “Stony” Stony – Vocals
  • Craig “Shreddy Kreuger” Robinson – Lead Guitar
  • Chris “Prey” Ryan – Bass
  • Martin “Abtacular” Gazur – Drums

 

 

It Is What It Is,

 Presented By Les Sober

Why You Never Became A Dancer

Welcome to Today’s FYB Post featuring the Official Video for the Song Why You Never Became A Dancer by the British Band named Whitehouse. So Who the fuck are/was Whitehouse and Why should Anyone Care? Valid Questions for Sure so here is the Backstory of Whitehouse.

Whitehouse was formed in England in 1980 and the Group is Largely credited for Founding and Pioneering the Power Electronics Genre of Music. The Band is Also Credited with Developing the Genre of Music Known as Noisecore or as it was Originally Know as Noise Music (Yeah Pretty fucking Original), and the Band is Credited for Developing Noisecore in America, England, and Japan. Power Electronics is a Offshoot of Noisecore that typically consists of Static, Screeching Feedback, Analogue Synthesizers making Sub-Base Pulses or High Frequency Squealing Sounds. Some but Not All Noisecore Songs have “Lyrics” that are Heavily Distorted, Screamed, or Guttural Vocalizations. Meanwhile Noisecore for those Unfamiliar is a Niche Genre of Music Characterized by the Expressive use of Noise within a Musical Context.  Noisecore tends to Challenge the Distinction between Musical and Non-Musical Sound. The Band Emerged when Early Industrial Acts that had Heavily Influenced Power Electronics/ Noisecore like THROBBING GRISTLE were backing Away from Extreme Noise. Meanwhile Whitehouse wanted to take Their Fascination with Early Industrial Groups’ Sound and Extreme Subject Matter even Further.

The Band’s Name is Meant as a Mock Tribute to Mary Whitehouse who was a British Morality Campaigner and a Hard-Line Conservative Activist. She Campaigned against Social Liberalism and the Mainstream British Media (Both of Which She Accused of Encouraging a More Permissive Society. That’s Not all as the Band’s Name a Reference to a British Porn Magazine. The Founding Member and Only Sole Constant in the Band William Bennett was Quoted as Saying “I Often Fantasized about creating a Sound that could Bludgeon an Audience into Submission.” , and that His Goal was to Produce “The Most Extreme Music Ever Recorded.”Whitehouse referred to Their Sound as “Extreme Electronic Music” that was Known for its Controversial and Obscene Lyrics and Imagery. The Band’s Lyrics/Imagery Portrayed:

  • Sadistic Sex
  • Misogyny
  • Serial Murder
  • Eating Disorders
  • Child Abuse
  • Extreme Violence in All Forms
  • Neo-Nazi Fetishism

Bennett released His First Album Under the Whitehouse Name in 1980 called Birthdeath Experience that was Released on Bennett’s Own Come Organization Label, and was Immediately followed by the Album Total Sex. In 1981 Bennett released the Album Erector that was Pressed on Red Vinyl, Packaged in a Shiny Black Packaging, and included a Photocopied Picture of a Penis. The Group Started Playing Live Shows in 1982 with Members William Bennett (Whitehouse), Andrew McKenzie (of the Band THE HAFLER TRIO), Steven Stapleton from the Band NURSE WITH WOUND, and Philip Best Who Joined in 1982 After Running away from Home at the Age of 14, and has been an On again/ Off Again Member ever since. Whitehouse was Inactive for the second half of the 1980’s and Re-emerged in 1990 wit the Album “Thank Your Lucky Stars”. During the 1990’s Whitehouse had Stable Line up in Bennett, Best, and Writer Peter Sotos (Sotos Left the Group in 2002). Bennett Decided to Terminate Whitehouse in 2008 to Focus on His Cut Hands Project which was its Music that was Heavily Inspired by African and Haitian Voodoo Music, being Very Rhythmic and Percussion Based.

 

It is What it Is,

 Presented By Les Sober

Goonlord – Caveman (Official Video)

Mondays are a Motherfucking Pain in the Ass so it seemed fucking Appropriate to Post this Considering the Extreme Frustration Surrounding this Post. This FYB Monday is the Official Animated Music Video for the Song “Caveman” by the Death Metal Band known as Goonlord. In a Cool Collaboration the “Caveman” Video was Animated by Non Other then a Recent Favorite of Ours Creeptoons.

Now this is the fucking Frustrating Part of this Post was/is the Lack of Available Information. Allow Me to Explain What I’m Talking about. First Off when You fucking Type Goonlord into a fucking Search Engine it Responds with “Did You Mean Goodlord?” which I damn well didn’t. I don’t know Who the fuck or What the fuck Goodlord is, but it sounds like a Christian Organization and after this Post I fucking Hate Them. I also Check Numerous Websites and Music Platforms and Here is What I Found which isn’t a Hell of a Lot.

Goonlord:

  • As I mentioned before They are a Death Metal Band.
  • Goonlord is from Florida.
  • The Album “Caveman” was Released on Monday November 29th 2021.
  • You can Find Goonlord’s Music on iToons and Spotify as well as Several Other Music Websites.
  • Goonlord Albums: Wide Eyed, Caveman, Inhuman, Pariah, and Someone May Die Here.
  • I Found what I fucking Thought was a Real Lead: goonlordfl.com which was completely fucking Useless. Their were Picks of the Band with No Bios, and There was Merchandise for Sale but No Band Information. It’s fucking Bizarre Yet Death Metal is a Fairly Niche Genre so Maybe I shouldn’t be that fucking Surprised after all. Who fucking Knows Not I.
  • Band Members:
  • Wesley Mitchell – Vocals
  • Jono Sanchez – Guitar
  • Quentinn “Super Q” Hembree – Guitar
  • Las Miles – Bass
  • Jon “Tree” Lelesi – Drums

Now this bring us to Creeptoons which is even more fucking aggravating then Researching Goonlord which was a Real Kick in the Nuts. So without Further Ado here is What I found on Ye Old Creeptoons:

  • Creeptoons is a Singular Artist
  • Creeptoons is Male.
  • Creeptoons has had Art Exhibits at the Modern Eden Gallery.
  • Besides His Youtube Channel He has an Instagram Account.
  • He is also on Etsy.
  • He is on Facebook/Meta (Yeah Right Zuckerberg You Dick).
  • There is No Personal Information in Any of the Bio aka “About” Categories.
  • Creeptoon’s Once Described His Work as “Creeptoons are Disgusting, Loveable Monsters that Live in the Clogged Arteries of Your Imagination.
  • The Closest thing to Anything Personal is Creeptoons refers to/ Describes Himself with just one fucking Word: Artist.

I think the Reason for the Horrendous Lack of Information is Perpetrated by Creeptoons Himself. Remember Kiddies there Artist Who are the Acceptation to the Rule. There Some Artist who are Honestly all about Their Art, and have No Interest in Being Famous or the Hassles that come with it. The Artists want to get Their Art Out there but Don’t want to go out in Public and Get Swarmed with People Badgering Them for Autographs or Picture. It was No Secret that Kurt Cobain for an Example Struggled with Fame and it made Him fucking Miserable. Also there Artists that to Avoid a Kurt Cobain Scenario go to Great Lengths to Keep Their Anonymity like Banksy or Sia for Example. I fully Believe Creeptoons is one of these Artists that wants His Work to Speak for Itself and Keep His Private Life Well Just that Private.

Enjoy.

Thanks For Watching/Lisening,

   Presented By Les Sober  

BLVCK MVGIC

Welcome to This Wednesday’s Post featuring the Disturbing Claymation Music Video “BLVCK MVGIC” by Artist Kill The Noise (Real Name Jacob Stanzak) Who is an American DJ and Record Producer from Rochester, New York.

The Official Video for Kill The Noises’s Song”BLVCK MVGIC” was Created by None Other than Animator and FYB Favorite Lee Hardcastle. Lee Hardcastle is an Insanely Prolific British Animator/Film Maker  Who Specializes in Stop-Motion Techniques. Lee Hardcastle in His Own Words: “I Make Claymations that are Not for Children’s Eyes.”, and has Vowed to Never Insult His Auidence with Shitty Film Making.

                     

Hardcastle is Famous for His Handmade Independent Animations. His Work includes Original Remakes of Emblematic 1980’s Action and Horror Movies, as well as Parodies of Animated Series and Video Clips. His Work is Known for its Violent and Gory Content. He has worked with Many Companies including Momentum Pictures, 20th Century Fox, and Adult Swim, and has Also Worked with Notable Artists such as Sufjan Stevens. Besides Being a Kick Ass Animator Lee Hardcastle was a Member of the Band Shit The Bed. Shit The Bed was a Hardcore Punk Band with Grindcore Tendencies  from Leeds, UK Formed in 2000 by Jordan Ramoth, Richard Kenyon, Dom Smith, and Lee Hardcastle when They were in High School.

                   

Plot: A Small Remote Village has been Played by a Rash of Missing People, and When a Villager Spots a Lone Woman living in a Corn Field with a Pentagram on Her Door. The Pentagram is actually a White Magic Symbol Designed to Protect the Homeowner from Evil. Now to Alleviate any Confusion an Inverted Pentagram is a Pentangle which is Synonymous with Modern Day Satanism. The Villagers assume She is a Witch and Responsible for the Disappearance of the Missing Villagers and Form a Violent Posse, but when They Confront the Witch Things go from Bad to Bloody.

Be Sure to Watch Until the End for The Sinister Surprise Twist.

Enjoy.

Thanks For Watching/Listening,

   Presented By Les Sober  

For Shits and Giggles: “Existential Threat” By Sparks

I think its safe to say we have all had day’s where it seemed the universe has dropped its pants, and is taking a colossal cosmic crap on your entire fucking life.  Those are those days you spend going hour after fucking hour wondering “Why Me?” or “What the fuck did I do to deserve this bullshit?” as the universe plays a fucked up game of cat and mouse with your current reality. It can get so fucking intense that you may actually consider that you have somehow offended the Powers That Be (God, universe, fate and so on) and now are being punished in some bizarre manner.

This bring me to today’s post the official music video for ‘The Existential Threat’ by Sparks (also known as Halfnelson), taken from their 2020 album ‘A Steady Drip, Drip, Drip’. Sparks is an American pop and rock duo formed in 1967 consisting of brothers Ron Mael on Keyboards and Russell Mael on vocals. Sparks are known for their quirky approach to songwriting which is often accompanied by sophisticated and acerbic lyrics often about women or Shakespearean literature references, and an idiosyncratic, theatrical stage presence, typified in the contrast between Russell’s animated, hyperactive frontman antics and Ron’s deadpan scowling. The band is also noted for Russell Mael’s distinctive wide ranging voice and Ron Mael’s intricate and rhythmic keyboard playing style. Sparks  have been far more successful in Europe compared to their native United States, though the band maintains a loyal cult following American non the less.

The video for the song was done by none other than one of our favorite animators cyriak. Cyriak Harris, known Mononymously as Cyriak and His B3ta Username Mutated Monty (Harris has been a Regular Contributor to the British Website B3ta since 2004), is a British Freelance Animator and Composer. He is known for His Surreal, Creepy, and Bizarre Short Web Animations with the Frequent Use of the Droste Effect, and Features Original Dance/Electronic Music By Harris as Well.

Enjoy.

See You Around,

   Justin Sane