REAL DEMONS CAUGHT ON TAPE

Welcome to Today’s FYB Post featuring REAL DEMONS CAUGHT ON TAPE. A Clip from this Video (The Arms coming Down from the Ceiling) has been Used in an Extensive Amount of The Unexplained/Mystery Videos and Random Weird Shit Fringe Videos Genres. Here is the Original Video in its Entirety which Includes The “Minion” Hands Under the Door, Arms Protruding from the Ceiling , the Arms coming out of the Wall, and Some fucking Sort of Demon Creature Sue-do Jump Scare. I would like to State for the fucking Record that Jump Scares are a Cheap fucking Gimmick, and that’s been Over Used to the Point of fucking Extreme Overkill.

Now First Things First and I think it’s fucking Safe to Say that this Video is Obviously Fake as fuck which in Reality isn’t a fucking Deal Breaker. While the Video is a Work of Absolute Fiction the Special Effects in it are Cool as Shit and Rather Impressive considering the Video came out Circa 2009. Seriously REAL DEMONS CAUGHT ON TAPE is around just a mere Minute and Thirty-nine Seconds, AND it’s Still Better then the Entire fucking Paranormal Activity Franchise Hands fucking Down. And if I’m doing Comparisons it Personally Reminds Me of the George A. Romero’s Zombie Movie Classic DAY OF THE DEAD. DAY OF THE DEAD contains a Scene where Zombie Arms come through a Hallway’s Walls to Attack One of the Main Characters.

BOTTOM LINE: All in All REAL DEMONS CAUGHT ON TAPE is Creative, Imaginative, Well Done, and Entertaining as fuck and I think that about some it the fuck Up.

It is What it is,

Presented By Les Sober

Micro Horror Film Friday: POLAROID and The POLAROID Reboot

Welcome to this Friday’s Installment of Micro Horror Film Friday featuring POLAROID  by Joey Greene and Paul Houston who shote Film in Their Apartment on a Budget of Less than $500 (Greene also Wrote, Produced, Directed, and Edited the Film).

As an Additional Surprise for this Post We also Have the Reboot of POLAROID also by Joey Greene and Paul Houston. The POLAROID Reboot was  Produced by Lucía Almenara, Gisella Esteve, Adrià Fabregat, Yaiza Galán y Laura Monge.

The Thing I find Most Appealing when it comes to the Micro Horror Genre is the Sheer Simplicity: It’s a Protagonist and an Antagonist in The Moment of Terror. The Creator and Audience alike can appreciate You Don’t need a 2 Hour Hollywood CGI Whorefest to Generate Fear in the Audience. You can take a Full Length Horror Film, and then Strip Away all the Various Parts until You’re left with just the Keystone of a  Horror Film which as We all Damn Well Know is Fear. You Don’t have to Bother with all the Typical Bullshit with Begging, Set Up, Character Development, Plot Arch, Conclusion, and So On and So Forth. You can revel in all that Truly matters when it comes to Horror which again is the Fear Factor. A Horror Movie that Doesn’t Instill Fear on at Least some Level with its Audience isn’t a Horror Movie its a Lame Attempt at One. So For Now On With the Show.

Polaroid Synopsis: They Say That Pictures are Worth 1,000 Words, But What if a Picture was Worth Your  Soul?!

Enjoy.

POLAROID REBOOT:

Thanks For Watching,

   Presented By Les Sober  

Hauntingly Ominous Lost Japanese Public Service Announcements (PSA)

To Whom it may concern,

It is I Otto here as Les and Justin took off on a impromptu road trip which I opted out of. I enjoy my own company to that of any other so being stuck in a hellishly small RV with Les and Justin is something I sincerely want nothing to do with. My idea of a vacation is alienation in isolation removed far from the confining shackles of a sick society. Last time Les called he wasn’t pleased that I had in all due favor neglected my FYB Responsibilities in their absence so here we are.

As what to post I was left up to my own dark devices having carte blanche to choose the topic and content of said post. Needless to say I was intrigued with this newly found freedom. You see my main function since I started assisting Les here in the haunted hallowed halls of FYB is research which I am quite fond of. I like being on my own to plunge  head first down any and every rabbit hole I wish with reckless abandon. Being that this was all unplanned and very last minute I didn’t have anything in particular in mind initially as it were. I pulled out a volume of notes I had compiled a few months ago and started parozing it to see if anything caught my eye. I then just so happened locate notes I had collected on Isamu Saburo Tadashi.

                  

Isamu Saburo Tadashi had dedicated his life and his career to Japan’s Ministry of land, infrastructure, transportation, and tourism (MLIT). Tadashi married young at the age of 16 to his beloved wife Emiko, and just a year later Emiko gave birth to the couple’s first child a boy they named Masao. At a 18 Tadashi started his life long career at the MLIT, and as luck would have it the couple welcomed their second child a girl named Hiroko that same year. Time marched on and Tadashi’s career at the MLIT was taking off. Early on in his career Tadashi had received promotion after promotion along with a slew of various awards, and received the highest of Accolades from his superiors. Then one sunny summer day tragedy struck when Tadashi’s wife Emiko was struck an killed by an absent minded motorist. Tadashi lapsed into a alcohol fueled depression, but thanks to his loving and devoted children managed to fight through his inner demons.

Life rolled on and the family recovered from the loss until tragedy struck once again. One day on the way home from school Tadashi’s Son Masao then 14 years old and his 12 year old sister Hiroko decided to take a short cut home. Unfortunately for the siblings the short cut required them to cross several sets of train tracks which proved to be a fatal flaw. While crossing the tracks Masao one of his feet stuck in-between a set of rail road tracks, and it wasn’t long before Masao had a Tokyo commuter train barring down the tracks right at him. The panic boy fought furiously to free his foot before meeting a gruesome and untimely death. Hiroko refused her brothers pleas for her to escape to safety, and remained by his side trying in vane to save her brother until the very and deadly end. The commuter train wasn’t scheduled to stop at this particular station and was speeding along the rails at a top speed and hit the children dead on killing them both and obliterating their small fragile bodies.

                   

Tadashi who was now battling PTSD as well as clinical depression started to experiment with unconventional hallucinogens developing a profound fondness for smoking the venom of the poisonous Bufo Alvarious Toad (a rare species of toad native to the Sonoran Desert). The Bufo toad’s is known as 5-MeO-DMT: an extremely potent natural psychedelic. 5-MeO-DMT is about 4 to 6 times more powerful than its better-known cousin DMT (dimethytrptamine). As one can imagine Tadashi’s unorthodox drug use quickly began to affect his work at MLIT where he was finally demoted to developing MLIT public service announcements (PSA). Right before his death at 81 from a massive stroke Tadashi set about creating his most dementedly disturbing series of PSA’s majority of which focus on train/train tracks safety.

The Gritty and some what distorted series not only was hyper focused on train safety but also feature 2 eerie characters both of which appear to be young children, and one if obviously male and his counterpart female. Due to the horrific deaths  of Tadashi’s son and daughter on the train tracks people became to speculate that Tadashi had gone mad with grief (and died of a broken heart) having lost his cherished children and adoring wife. The story began to take on a life of its own as it evolved into urban legend status particularly in the paranormal communities. The current version of the story is Tadashi consumed with sorrow at the loss of his family that he began to practice necromancy (the supernatural concept of actually raising/channeling the dead). At some point Tadashi employed the use of an Ouija board in his desperate attempts to reunite with his deceased loved ones, and it resulted in Tadashi accidentally trapping the ghosts of his dead children in the PSA’s where they remain to this very day. Due to Tadashi’s mental deterioration his final series of PSA was locked away and was never intended to see the light of day ever again. Then in 2013 while the MLIT was undergoing a massive revamping the lost Tadashi PSA where discovered stashed in a rusty old filing cabinet that was jammed into a dark corner of the basement.

                   

So are Tadashi’s final PSAs in fact haunted by the ghosts of his deceased children? Are they cursed in some way? Will watching them induce insanity in the viewer? Probably not but that doesn’t make them any less creepy as fuck.

Sweet dreams & Bitter nightmares,

   Otto Rageous  

The Mystery of Hi I’m Mary Mary

Welcome to “Hi I’m Mary Mary” which is an Extremely Obscure Homegrown Horror Web Series that first appeared on Youtube (on July 10, 2016), and the Series is Still Ongoing to this Very Day. It’s Dark and Intense with a Seriously Cool Pick Your Own Adventure/RPG Interactive Aspect. So What is it all About You Wonder? Well We aren’t quite Sure exactly, but Heres a Run Down of the Pertinent Points/Information We Have.

            

“Hi I’m Mary Mary”:

  • The Series Main Character is Named Mary who wakes up in a what She refers to as “A Copy of My Parents House”, and Has No Idea how She got there.
  • All the Doors in the House are Locked and The Windows are Unbreakable Trapping Mary Inside.
  • Mary does find a Video Camera and has Internet Access (Though She can’t See What Anyone is Posting/Saying or Responding to. Simply Put its a preverbal One Way Street).
  • The Series Spills Over in Mary’s actual Twitter Account and Her Blog. Each Platform pervades it’s Own Clues and Insight as to What is Going on in the House and with/to Mary Herself.
  • Mary uses the Video Camera She finds in the House to Document Her Time in the House since well, She seems to have Nothing but Time considering She’s Trapped. The Day are rather Uneventful, But when Night Falls All fucking Hell Breaks Loose.

           

  • There are a Total of Five Separate and Distinct Characters in Addition to Mary Four of Which are Demonic Living in the House, and Exist Only to Torment Mary Relentlessly (again Mostly at Night). The Fifth is The Lady In White Who is a Mysterious Ally though Mary May be Totally Unaware of this Fact.
  • The First Evil Entity in the House is Beauty who appears Only when Mary is looking in a Mirror. Beauty appears wearing a Dress and a Flawless Mask, and Laughs Hysterically Mocking at Mary. Beauty is believed is the  Embodiment of Mary’s Physical Insecurities.
  • The Veiled Lady appears at the End of the First Video and is the Most Predominate of the Sinister Spirits Lurking in the House. She has almost a the Leader of sorts to the Ghastly Group. The Veiled Lady also gets More and More Aggressive with Mary, and is the Only Entity that can actually Speak Directly to Mary. It is believed The Veiled Lady is Symbolic of Depression.

           

  • The Shadow appears when Mary Feels Safe and has a Noteable Trait. That Trait is whenever the Shadow is present Phrases Flash on the Screen (example “I Feel Nothing.” and “I Messed Up.” and the Shadow makes Mary in Her words “Feel Terrible.”

Some of Mary’s Tweets pertaining to the Shadow are as Follows:

  • “The way it moves…its so unsettling. sometimes just seems…wrong. I don’t like looking at it- staring directly makes me feel bad.”
  • ‘I HATE looking at it. what does it even do? It just follows me around and when I look at it, I feel terrible.”
  • “god I feel so freaking empty.it’s watching me. why doesn’t it move quickly. it’s like it wants me to feel this.”
  • “its looking at me right now. at least i think it is. i’m going to go into another room and close the door. it will probably open it.”
  • The Shadow is believed to be the Manifestation of Regret.

            

  • The Darkness is the Most Ominous and Mysterious of the Four Ghoulish Ghosts. In one Video Mary chases The Darkness and Catches it, but When She Lifts Her hand The Darkness Absorbs into Her Palm. When Mary catches The Darkness the phrase “I’m a Monster” Flashes on the Screen. After this Encounter the Other Evil Entities have Their various Barriers Removed allowing Them to Become Bigger, Stronger, and More Terrifying than Ever Before. It is believed The Darkness represents Anxiety.
  • During the Series at one Point Mary finds a Way out of the House through a Door that Leads to What She calls “The Garden” (which is more like a Pond in the Woods, and sometimes its just Water).
  • The Garden is Peaceful and Calm it’s Mary’s Only Escape from the Hellish Abuse from inside the House, and She becomes Dependent on it to provide a Shelter from the Storm. Unfortunately for Mary the Garden starts to Decay the Sun Vanishes and is Replaced By Grey Skys and Rain. As time passes Mary starts to find Abandoned Places and Broken things around the Garden.
  • Mary’s visits to The Garden become Shorter and Shorter  as The Garden Starts to make Mary Physically Ill. It is believed the Garden Represents Drug Use/ Drug Addiction as it parallels the Five Stages of Drug Addiction (The Five Stages are 1. First Use  2. Regular Use  3. Risky Use,  4. Dependence  5. Disorder)

            

  • As the Garden Decay Away and starts making Mary Sick the Malevolent Spirits become Intenser and Physically violent towards Mary.
  • The Drug/Narcotic in Question is more than Likely Heroin. There is Repeated Footage of Mary Rubbing Her Arm specifically Her Upper Forearm (which is the Preferred Injection Site for Junkies which Leads to Track Marks). This Behavior is First seen in the Video “Check In” and continues through the Rest of the Series so Far.
  • It’s in the Garden We meet the Final Character The Lady In White and the Question surrounding Her is is She an Enemy or Ally?! From what We can Tell She is most definitely an Ally though Mary is utter oblivious to this Fact.

The Lady in White Hides Her face and Only Mouths words to Mary. If You watch the Videos in Slow Motion You can make Out What exactly The Lady In White Is Saying. Here are some Examples:

  • “This place is not good for you.”
  • “Mary, please listen to me.”
  • “Mary you are not ok…”
  • “You need help.”
  • “Please Mary listen to me.”
  • “You have to get out of here.”

            

  • It Appears the Lady In White is a Force of Good Desperately trying to Communicate with Mary but to No Avail.
  • There is a Hidden Message in the Source Code on Mary’s Blog that apparently is from The Lady In White. In Summation it states She is in fact trying to Communicate with Mary, But She believes the Four Malicious Entities in the House are Preventing Her from doing so. She states She isn’t sure if Anyone (aka the Viewers) can even see the Messages, Yet She thinks there is a good chance Someone will. She then attempts to say what exactly She wants to tell Mary, But the Messages Cuts Out. The Lady In White Says She’ll try Again and Again the Message cuts out before The Lady In White can Communicate Her Message. She implores Views to Assist Her in getting Mary the Emergency.
  • This Brings Us full Circle back the The House that’s a Copy of Mary’s Parent’s House. It is believed The House is a Representation of Mary’s Own Mental State. The House is Mary’s Mind Plagued by The Demons of Depression, Anxiety, Regret, and Self Loathing (Low Self Esteem).
  • Then if the House is Mary’s Mental State  Then the Garden is an Altered State like a Drug Induced High.

Below You Will Find the “Hi I’m Mary Mary” in its Entirety, but also keep in Mind that the Series is Still Currently Ongoing. Enjoy.

Hope You Enjoyed This Ongoing Cerebral Psychological Horror Series as Much as We Do.

Thanks for Reading/Watching,

  Presented By Les Sober & FYB (1219SFYB)